1. Mount your specimen
on the stage as is appropriate for the type of material you are photographing.
There are three base inserts for the macroscope. There is a plain plate (with a white and a black
side), a mirror transilluminator insert with transparent plate and a tipping stage. Plasticine,
pins and small dishes are common ways of holding specimens. Wet materials
should be fully immersed under an appropriate liquid before photographing them in order to reduce specular reflection.
Some live material
may need to be packed in ice. Make sure that a scale is included in
the field of view if necessary. It can be cropped out of the final photograph
if not needed. An alternative is to photograph a stage micrometer at the same magnification as your image for later calibration of measurement software.
2. You may only need incident illumination (from above) or you may need brightfield or darkfield transillumination (from below). Any of these can be achieved with small spotlamps or with the Volpi Intralux 6000 fiber optic illuminator. These should all be used on low intensity for everything except photography of motile materials as the bulb life is greatly diminished on high intensity. Brightfield and darkfield transillumination is done by shining light into the mirror base. In addition to the double arm fiber light source which work as two adjustable spot lamps, the Volpi can also accept a ring illuminator that mounts around the M420's lens. This gives very flat, even, shadowless lighting that works well with some material and is very easy to use. Make sure that the illumination you choose is right for your material and that it emphasizes the features you want. Expect to spend more time getting the illumination perfect than on anything else.
3. Next, turn on the SPOT RT KE camera and launch the SPOT software by clicking its desktop icon. If you don't turn on the camera first you will get an error message when you launch the SPOT software.
4. Under Setup/Image Setup you will find a dialogue box which allows you to choose between full colour RGB (24 bit) or black & white (8 bit). It also allows changes to be made to a number of other camera parameters, but please don't fiddle with them or you may cause great grief for other users.

5. Next, hit the Live button on the top left of the screen and from the Live Image window hit the Controls . . . button to launch the live image control panel which will look like this: