Remembering VSAWC 2015

25 June 2015

VSAWC 2015 (April 10 to 11, 2015):*

Victorian Bodies

at the Manteo Lakeside Resort in Kelowna, BC


A link to linear version of our story if you prefer:


Conference organizers would like to thank the following sponsors:

The Faculty of Creative and Critical Studies at UBCO


Victorian Review


Massey College


Another VSAWC Conference has Come and Gone

19 August 2014

Catch up on the fun had below! We hope to see everyone next year!



Victorian Review Site Preview: Interviews

22 January 2014

At the annual VSAWC conference last year, the team at Victorian Review interviewed upcoming and established scholars about their research. We previewed four of these interviews over the holiday break, and more will soon follow on the redesigned Victorian Review website. For now, catch up on what you might have missed.

Interview with Sarah Bull

Interview with Monica Flegel

Interview with Paisley Mann

Interview with Keridiana Chez

— Caley



Victorian Review Site Preview: Interview with Keridiana Chez (VSAWC 2013)

19 January 2014

Image from Mostly Movies

Keridiana Chez met with us to discuss her article from the Victorian Review 37.1, the Spring 2012 issue, “You Can’t Trust Wolves No More Nor Women”: Canines, Women, and Deceptive Docility in Bram Stoker’s Dracula. Ms. Chez’s article addresses the “problematic husband-wife and master-pet relations” (89) in the novel.  She examines English women and their affection for their pets, in relation to its effect on marital life. “The structural positioning of women and dogs is surprisingly similar,” she notes, “and the treatment of rabid dogs mimics the way that men were supposed to treat the women that they loved as well.” English women and their “chiens de luxe” are cast in the same light, suggesting that domesticated women, like domesticated dogs, are public and private hazards. As she asserts in the Victorian Review, idle women are spoiled, useless, and “deceptively docile household member[s]” (77). Furthermore, in Dracula the rabid pet wolf Bersicker, and other pets, are presented as being highly susceptible to rabies, and women, as keepers of these luxurious pets, are more likely than men to be bitten and infected with rabies, or worse, vampirism.

Keridiana Chez 

Keridiana Chez is a PhD candidate working on her dissertation “The Affective Uses of Dogs: Pet-Keeping in Nineteenth-Century England and America” at City University of New York Graduate Center. She is an alumnus of New York University School of Law and State University of New York at Binghamton.

– Sabrina Schoch, Constance Crompton, and Ruth Knechtel

For previous entries in this series, see our interview with Sarah Bull, Monica Flegel, and Paisley Mann.


Victorian Review Site Preview: An Interview with Paisley Mann (VSAWC 2013)

6 January 2014

Paisley Mann’s article “Memory as ‘Shifting Sand’: The Subversive Power of Illustration in George Du Maurier’s Peter Ibbetson” explores the unreliability of memory in Du Maurier’s novel, which follows the life of its eponymous hero Peter Ibbetson. In this autobiographical fiction, Ibbetson claims and attempts to prove that he can telepathically communicate with The Duchess of Towers, also known as his childhood friend Mimsey, through dreams. Mann’s research examines Du Maurier’s accompanying illustrations, supposedly provided by Ibbetson, through the lens of the unreliable narrator. Multiple illustrations are provided for each memory, initially at the time of first remembrance, and then again when Ibbetson and Mimsey travel through their memories together. These illustrations do not match and these irregularities, Mann claims, “suggest a connection that Peter fails to recognize” (177). Mann gives historical context for her interpretation, reminding her readers that Frances Power Cobbe insisted that the mind and, by association, memory is merely “safe for an hour from obliteration or modification, after being formed” (162). The narrative loses almost all stability, Ibbetson suffers a mental break after he is charged with murder and sentenced to death.

It was her work with DuMaurier’s Trilby that brought Ms. Mann to her current work on verbal and visual representations of Paris:


Paisley Mann

Paisley Mann received her Bachelor and Master of arts in English at the University of Victoria. She now attends the University of British Columbia where she is working on her Doctorate in English. Her current dissertation examines Paris and its representation in the culture and literature of the Victorian Age. Ms. Mann’s “Memory as ‘Shifting Sand’” can be found in the Victorian Review‘s Spring 2011, issue 37.1.

— Sabrina Schoch and Constance Crompton

For previous entries in this series, see our interview with Sarah Bull and Monica Flegel

Victorian Review Site Preview: An Interview with Sarah Bull (VSAWC 2013)

19 December 2013

We sat down with Sarah Bull in April to discuss her Spring 2012 Victorian Review article “Purveyor of Garbage? Charles Carrington and the Marketing of Sexual Science in Late-Victorian Britain.” Her work examines the relationship between nineteenth century pornographic and sexual science texts. In her article, she argues that Charles Carrington, the preeminent producer of these texts, “perceived that science and pornography’s overlapping terrain” was quietly acknowledged by readers (56).

We asked Sarah about her new research:


She also shared what she thinks is the exciting development or new direction in Victorian Studies:


Sarah Bull

Sarah Bull is a graduate student at Simon Fraser University in BC’s Lower Mainland. Her dissertation “examines how, why, and to what effect sexual-scientific works circulated through the Victorian pornography trade,” under the supervision of Colette Colligan. Ms. Bull’s research interests include the history of science, Victorian literature, history of sexuality, and obscenity studies. Sarah Bull is the 2013 Victorian Review Editors Prize winner for her article “Purveyor of Garbage? Charles Carrington and the Marketing of Sexual Science in Late-Victorian Britain.”

– Sabrina Schoch, Constance Crompton, and Ruth Knechtel

8 Days and Counting*

9 October 2013

The deadline for VSAWC conference proposals is coming up quickly. Your 250-­word abstracts (with title) and separate 75-word biographical blurb is due October 18. To submit your abstract, e-mail

This year’s theme is Victorian Communities, and the conference organizers welcome papers that explore Victorian concepts, representations, and experiences of community. From Chartist organizations to the Salvation Army, from women’s colleges to Mechanics ’Institutes, from Evangelical congregations to pagan gatherings, and including rituals ranging from family reading and hymn singing to maypole dancing, rugby matches, and croquet games, Victorians sought out “combinations” that were political, religious, domestic, social, artistic, academic, and/or erotic.

VSAWC is without a doubt one of my favourite conferences, and this year it’s in beautiful Banff, AB. I hope to see you there!

* note: I am bad at both maths and days, so the number in the title may be a bit off.

Post from the Road

30 May 2013

Since I am currently waiting for my flight home in YVR, this post is for all of you traveling to beautiful Victoria, BC for Congress and DHSI. (Please excuse any spelling/typing errors as I am writing this on my iPad).

First order of business: the deadline for submitting a an abstract to Dr. Daniel Martin for special issue of Victorian Review on Victorians and Risk is coming up quickly. Abstracts are due September 1, 2013. Click here for details.

Second: Congress starts this weekend at UVic and with it ACCUTE’s annual conference. I have listed some panels that may be of interest to Victorianists below (apologies if I missed anyone).

ACCUTE Panels of Interest:

For a complete list of ACCUTE panels, click here

2B Joint Session with NAVSA and VSAWC: At the Edge of the Real – Clearihue A-303 on June 1 from starting at 11:00. A panel on colonialism and nineteenth-century literature (2D) is running concurrently in Cle A-311.

2A Joint Session with NAVSA and VSAWC: At the Edge of Perception Clearihue A-207 on June 3 from 11:00 to 12:15.

3B – Joint Session with Victorian Studies Association of Ontario (VSAO): We Are Not Amused – Clearihue A-211 on June 3 from 1:30 to 3:15.

The plenaries on June 1 and 2 may also be of interest to Victorianists:

June 1: Felicity Nussbaum – “Lifewriting @ the Edge: Going Public in the Eighteenth Century” (Bob Wright A-104; 1:30 to 3:15)

June 2: Kyla Wazana Tompkins – “Racial Indigestion: Eating Bodies in the 19th Century” (Bob Wright A-104; 1:30-3:15)

New Victoriana

13 May 2013

Every week I will update this post to feature posts and activities of interest to Victorianists.


For the Week of May 13, 2013:

If you are attending the NAVSA BAVS AVSA conference in Venice (lucky you!), you may want to prepare for your journey by joining the Stones of Venice reading group at the Journal of Victorian Culture Online. Click here for more information.

Check out Daniel Martin’s recent post on melancholia and the digitization of Victorian culture, inspired (in part) by the recent VSAWC conference.

Finally, a few less serious pieces:

via Twitter–a nineteenth-century image of Victorian lady academics. Enjoy!

via The Hairpin–thoughts on reading Wilkie Collins’s The Woman in White.
My personal favorite has to be number three: “Decided that someone should make a TV show in which Wilkie Collins and Dickens fight crime – supernatural crime”