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Measure for Measure: Further reading

  1. Bache, William B. Design and Closure in Shakespeare's Major Plays: The Nature of Recapitulation. New York: P. Lang, 1991.
  2. Bakhtin, M. M. Rabelais and His World. Trans. Helene Iswolsky. Cambridge and London: The M.I.T. Press, 1968 [1965]. PQ1697/L3B313.
  3. Bamber, Linda. Comic Women, Tragic Men: A Study in Gender and Genre in Shakespeare. Stanford: Stanford University Press, 1982. PR2989/B36.
  4. Berry, Ralph. Changing Styles in Shakespeare. London: George Allen and Unwin, 1981. PR3091/B434.
  5. Bayley, John. The Uses of Division: Unity and Disharmony in Literature. London: Chatto and Windus, 1976. PN701/B38.
  6. Charney, Maurice. Comedy High and Low: An Introduction to the Experience of Comedy. New York: Oxford University Press, 1978. PN1922/C5.
  7. Colie, Rosalie Littell. The Resources of Kind: Genre-Theory in the Renaissance. Ed. B. K. Lewalski. Berkeley: University of California Press, 1973. PN45.5/C6.
  8. Dubrow, Heather. Genre. London: Methuen, 1982. PN45.5/D82 [Missing.].
  9. Eco, Umberto. The Open Work. Ed. D. Robey. Trans. Anna Cancogni. Cambridge, MA: Harvard University Press, 1989. BH39 E3613.
  10. Felperin, Howard. The Uses of the Canon: Elizabethan Literature and Contemporary Theory. Oxford: Clarendon, 1990. PR421/F45.
  11. Fowler, Alastair. Kinds of Literature: An Introduction to the Theory of Genres and Modes. Cambridge, MA: Harvard University Press, 1982. PN45.5/F6.
  12. Frye, Northrop. A Natural Perspective: The Development of Shakespearian Comedy and Romance. New York: Columbia University Press, 1965. PR2981/F7.
  13. Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton: Princeton University Press, 1957. PN81/E9.
  14. Herrick, Marvin Theodore. Comic Theory in the Sixteenth Century. Urbana: University of Illinois Press, 1964 [1950]. PN1926/H47.
  15. Krieger, Murray. A Reopening of Closure: Organicism Against Itself. New York: Columbia University Press, 1989. PN228/M4K75.
  16. Levin, Harry. Playboys and Killjoys: An Essay on the Theory and Practice of Comedy. New York: Oxford University Press, 1987. PN1922/L38.
  17. Lewalski, Barbara Kiefer, ed. Renaissance Genres: Essays on Theory, History, and Interpretation. Cambridge, MA: Harvard University Press, 1986. PR418/L57R46.
  18. McFarland, Thomas. Shakespeare's Pastoral Comedies. Chapel Hill: Univ. of North Carolina Press, 1972. PR2981/M28.
  19. McLeish, Kenneth. Roman Comedy. Bristol: Bristol Classical Press, 1986. PA6069/M25/1986.
  20. McLuskie, Kathleen. "The Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure." In Political Shakespeare. Ed. J. Dollimore and A. Sinfield. Manchester: Manchester University Press, 1985. PR2976/P64.
  21. Newman, Karen. Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical and Renaissance Comedy. New York: Methuen, 1985. PR2981/N49.
  22. Rosmarin, Adena. The Power of Genre. Minneapolis: University of Minnesota Press, 1985. PN45.5/R67.
  23. Rossiter, A. P. Angel With Horns: And Other Shakespeare Lectures. London: Longmans, 1961. PR2976/R66.
  24. Salingar, Leo. Shakespeare and the Traditions of Comedy. Cambridge: Cambridge University Press, 1974. PR2981/S2.
  25. Tennenhouse, Leonard. "Representing Power: Measure for Measure in its Time." In The Power of Forms in the English Renaissance. Ed. S. Greenblatt. Norman, Okla.: Pilgrim Books, 1982. PR424/P68.
  26. White, R. S. Let Wonder Seem Familiar: Endings in Shakespeare's Romance Vision. New Jersey: Humanities Press, 1985. PR2981.5/W5/1985.
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This page last updated on 28 August 2006. © Michael Best, 2002.