In the Maternity Hospital, Bloom runs into Dixon, the doctor who had treated him for bee sting a couple of weeks previously. Dixon invites Bloom to join him and some other medical students at a party within. There, Bloom again encounters Stephen, who leads a winding discussion about fertility, contraception, abortion, the rights of the mother versus those of the child, and the Churchâ€™s position on all of them. Bloom drinks but little, while the others get very drunk. All the while, Mina Purefoy labours in a room above, her cries and occasional admonishments from the nurses disrupting the party and dampening down its boisterousness. Mulligan appears again, with Haines the Englishman in tow; he will lose Stephen at the tram station en route to Nighttown later in the night, and not appear again. At last Dixon is called for: the baby boy is born, and the partying crowd rush out into the streets on their way to Burkeâ€™s pub for last call. â€œOxen of the Sunâ€ is divided into nine sections, each corresponding roughly to a month in the gestation of the human embryo. Stylistically, it is even more various, beginning with pre-English Latinate sentences, and proceeding through Anglo-Saxon alliterative lines, a range of medieval, early modern, reformation, eighteenth-century, gothic, sentimental, and realist styles before culminating in the apparent collapse of style altogether into nonsense with the arrival of the twentieth century.
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