TUESDAY,
September 18
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SALON CETRO
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SALON CORONA |
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PLENARY SESSION 1 |
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9am
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CUBA AND ICMC2001, A
CULTURAL ODYSSEY Enmanuel Blanco; Andrew Schloss; Marco Trevisani IMPORTANT ANNOUNCEMENTS WILL BE MADE |
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9:30
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IMPROVISING WITH
COMPUTERS: A PERSONAL SURVEY (1989-2001) Sergi Jordà, Music
Technology Group, Audiovisual Institute, Pompeu Fabra University, Spain Winner of the 2001 Swets & Zeitlinger Distinguished Paper Award |
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PAPER SESSION 1: Digital Signal Processing 1 |
PAPER SESSION
2: Aesthetics 1
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10:10 |
ANTI ALIASING FOR SUBBAND AUTOREGRESSIVE MODELING Tom Schouten, Bart De Moor, Department ESAT/SISTA,
KU Leuven, Belgium |
DO COMPOSITION SYSTEMS SUPPORT CREATIVITY? –
AN EVALUATION Barry Eaglestone, Department of Information Studies,
University of Sheffield, UK; Nigel Ford ; Mark Clowes, University of Leeds,
UK |
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10:30 |
TIME-FREQUENCY REASSIGNMENT FOR MUSIC ANALYSIS Stephen W. Hainsworth, Signal Processing Group,
Department of Engineering, University of Cambridge, United Kingdom; Patrick
J. Wolfe, University of Cambridge, UK |
MEASURING INTENTION AGAINST RECEPTION IN
ELECTROACOUSTIC MUSIC: A NEW OPPORTUNITY FOR ANALYSIS Leigh Landy, United Kingdom |
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10:50 |
TRANSIENT MODELLING BY PRUNED WAVELET TREES Laurent Daudet, Queen Mary, University of London,
United Kingdom |
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PAPER
SESSION 3: Digital Signal Processing 2 |
PAPER SESSION
4: Aesthetics 2
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11:20 |
OBJECT-BASED SOUND SYNTHESIS Augusto Sarti, Stefano Tubaro, Dipartimento di
Elettronica e Informazione, Politecnico di Milano, Italy |
REALIZING LUCIER AND STOCKHAUSEN: CASE STUDIES IN
THE PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC Christopher Burns, CCRMA, Stanford University, USA |
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11:40 |
DETECTION AND MODELING OF FAST ATTACK TRANSIENTS Xavier Rodet, Ircam, France; Florent Jaillet,
GENESIS |
PHYSICALITY AND FEEDBACK: A FOCUS ON THE BODY IN THE
PERFORMANCE OF ELECTRONIC MUSIC Curtis Bahn, Rensselaer Polytechnic Institute., USA;
Tomie Hahn, Tufts University, USA; Dan Trueman, Colgate University, USA |
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12:20 – 14:00 LUNCH |
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PANEL
SESSION 1: Music Information Retrieval |
PAPER SESSION
5: Spatial Sound 1
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14:00 |
PANEL: NEW DIRECTIONS IN MUSIC INFORMATION RETRIEVAL George Tzanetakis, Princeton University, USA; Roger
Dannenberg, Perry Cook, Princeton, USA, Ichiro Fujinaga, Peabody Institute of
Johns Hopkins University, USA |
ANALYSIS AND SYNTHESIS OF ROOM ACOUSTICS USING THE
MPEG-4 SCENE DESCRIPTION Riitta Väänänen, Finland |
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14:20
ENHANCING SOUND DESCRIPTION IN VRML Alexandre
Topol, France; Florent Schaeffer |
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14:50 EVALUATING SPATIAL SOUND WITH BINAURAL
AUDITORY MODEL Ville Pulkki, Helsinki University of Technology,
Finland |
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PAPER SESSION
6: Spatial Sound 2
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15:20
FUNCTIONAL SPECIFICATION OF A DISTRIBUTED AND MOBILE ARCHITECTURE FOR
VIRTUAL SOUND SPACE SYSTEMS Florent Schaeffer, France; Stéphane Natkin,
Alexandre Topol, CEDRIC /CNAM, France 15:50 COMPOSING OUTDOOR AUGMENTED-REALITY SOUND
ENVIRONMENTS Camille Goudeseune, USA; Hank Kaczmarski |
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WEDNESDAY,
September 19
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SALON CETRO
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SALON CORONA |
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PAPER SESSION 7: Physical Modeling 1 |
PAPER SESSION 8: Languages and Systems 1 |
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9:00 |
A MODIFIED RECTANGULAR WAVEGUIDE MESH STRUCTURE WITH
INTERPOLATED INPUT AND OUTPUT POINTS Federico Fontana, University of Verona -
Dipartimento di Informatica, Italy; Lauri Savioja, Helsinki University of
Technology – Telecommunications Software and Multimedia Laboratory,
Finland; Vesa Välimäki, Helsinki University of Technology - Laboratory
of Acoustics and Audio Signal Processing, Finland |
9:00 IMPLEMENTING TEMPORAL TYPE CONSTRUCTORS FOR
MUSIC PROGRAMMING Eli Brandt, USA |
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9:20 |
CONTROLLING MATERIAL PROPERTIES IN PHYSICAL MODELS
OF SOUNDING OBJECTS Federico Avanzini, University of Padova, Italy;
Davide Rocchesso, University of Verona, Italy |
9:20 A SYSTEM TO PORT UNIT GENERATORS BETWEEN AUDIO
DSP SYSTEMS Karl MacMillan, Michael Droettboom, Ichiro Fujinaga,
Peabody Institute of Johns Hopkins University, USA |
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9:40 |
NOTE AND HAMMER VELOCITY DEPENDENCE OF A PIANO
STRING MODEL BASED ON COUPLED DIGITAL WAVEGUIDES Julien Bensa, CNRS, France; Kristoffer Jensen, DIKU,
Denmark; Richard Kronland-Martinet, Frederic Gibaudan, CNRS, France |
9:40 A FAST DATA STRUCTURE FOR DISK-BASED AUDIO
EDITING Dominic
Mazzoni, Roger Dannenberg, Carnegie Mellon University, USA |
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PAPER
SESSION 9: Physical Modeling 2 |
PAPER SESSION 10: Languages and Systems 2 |
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10:10 |
FROM PIANO STRING VIBRATIONS TO THE ACOUSTIC FIELD
RADIATED BY THE SOUNDBOARD Mitsuko
Aramaki, France; Philippe Guillemain, Nathalie Hoeb, Alain Roure |
10:10 JAVA MUSIC SPECIFICATION LANGUAGE, AN INTRODUCTION AND OVERVIEW Nick Didkovsky, Algomusic, USA; Phil Burk, Softsynth,
USA |
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10:30 |
BOWED STRING SYNTHESIS WITH FORCE FEEDBACK GESTURE
INTERACTION Jean-Loup Florens, Cyrille Henry, ACROE - ICA,
France |
10:30 PWSYNTH: A LISP-BASED BRIDGE BETWEEN COMPUTER
ASSISTED COMPOSITION AND MODEL BASED SYNTHESIS Mikael Laurson, Finland; Mika Kuuskankare |
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10:50 |
MODEL-BASED SYNTHESIS OF THE UD AND THE RENAISSANCE
LUTE Cumhur Erkut, Laboratory of Acoustics and Audio
Signal Processing, Helsinki University of Technology, Finland; Mikael
Laurson, Mika Kuuskankare, Centre for Music and Technology, Sibelius Academy,
Finland; Vesa Välimäki, Laboratory of Acoustics and Audio Signal
Processing, Helsinki University of Technology |
10:50 ENP - MUSICAL NOTATION LIBRARY BASED ON COMMON
LISP AND CLOS Mika Kuuskankare, Finland; Mikael Laurson |
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PAPER SESSION 11: Physical Modeling 3 |
PAPER SESSION 12: Score Following |
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11:20 |
VOCAL FOLD AND FALSE VOCAL FOLD VIBRATIONS AND
SYNTHESIS OF KHOOMEI Ken-Ichi Sakakibara, NTT Communication Science Labs.,
Japan; Hiroshi Imagawa, The Univ. of Tokyo, Japan; Tomoko Konishi, Kazumasa
Kondo, Japan; Emi Zuiki Murano, The Univ. of Tokyo, Japan; Masanobu Kumada,
Natn'l Rehabilitation Center for the Disabeled, Japan; Seiji Niimi, Intn'l
Univ. of Health and Welfare, Japan |
11:20 BAYESIAN REAL-TIME ADAPTATION FOR INTERACTIVE
PERFORMANCE SYSTEMS A. Taylan Cemgil, The Netherlands; Bert Kappen |
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11:40 |
SINGING VOICE SYNTHESIS COMBINING EXCITATION PLUS
RESONANCE AND SINUSOIDAL PLUS RESIDUAL MODELS Jordi Bonada, Alex Loscos, Oscar Celma, Jaume
Ortola, Xavier Serra, IUA-UPF, Spain; Yasuo Yoshioka, Hiraku Kayama, Yuji
Hisaminato, Hideki Kenmochi, Yamaha Corporation, Japan |
11:40 SCORE FOLLOWING USING SPECTRAL ANALYSIS AND
HIDDEN MARKOV MODELS Nicola Orio, François Déchelle, IRCAM
- Centre Pompidou, France |
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12:00 ALIGNMENT OF MONOPHONIC AND POLYPHONIC MUSIC
TO A SCORE Nicola Orio, Diemo Schwarz, Ircam - Centre Pompidou,
France |
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12:20 – 14:00 LUNCH |
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PAPER SESSION 13: Conducting |
PAPER SESSION 14: Physical Modeling 4
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14:00 |
MUSIC
PLUS ONE: A SYSTEM FOR EXPRESSIVE AND FLEXIBLE MUSICAL ACCOMPANIMENT Christopher
Raphael, Univ. of Massachusetts, Amherst, USA |
14:00 ANALYSIS-SYNTHESIS OF FLUTE SOUNDS USING A
NON-LINEAR DIGITAL WAVEGUIDE MODEL Solvi Ystad, FRANCE; Thierry Voinier |
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14:30 |
MODELING
THE TEMPO COUPLING BETWEEN AN ENSEMBLE AND THE CONDUCTOR Bridget
Baird, USA; Ozgur Izmirli |
14:30 A MUSICAL INSTRUMENT BASED ON A BIOACOUSTIC
MODEL OF A CICADA Tamara Smyth, USA |
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14:50 |
TECHNOLOGICAL
ADVANCES FOR CONDUCTING A VIRTUAL ENSEMBLE Guy Garnett, University
of Illinois, USA; Mangesh Jonnalagadda, Ivan Elezovic ; Timothy Johnson,
University of Illinois, USA; Kevin Small University of Illinois, USA |
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Studio
Reports 1 |
PAPER SESSION 15: Physical Modeling 5 |
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15:10 |
MUSIC
INFORMATICS LABORATORY Jens
Arnspang, Kristoffer Jensen, Declan Murphy, Tue Haste Andersen, Georgios
Marentakis, DIKU, Denmark |
15:10 SIMPLE RESONATORS WITH SHAPE CONTROL Davide Rocchesso, Italy |
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15:30 |
UNIVERSITY OF CINCINNATI COLLEGE CONSERVATORY OF
MUSIC CENTER FOR COMPUTER MUSIC Mara Helmuth, USA; Ico Bukvic, Chris Watts |
15:30 NEW TECHNIQUES TO MODEL REVERBERANT INSTRUMENT
BODY RESPONSES Henri Penttinen, Matti Karjalainen, Tuomas Paatero,
Hanna Järveläinen, Laboratory of Acoustics and Audio Signal
Processing, Helsinki University of Technology, Finland |
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15:50 |
STUDIO REPORT OF THE CENTRE FOR MUSIC TECHNOLOGY,
UNIVERSITY OF GLASGOW Nick Fells, Carola Boehm, University of Glasgow, UK |
15:50 PHYSICAL MODELING FOR SOUND SYNTHESIS WITH
PARTICLE-INTERACTION NETWORKS: STUDY OF THE PERCUSSION Patrick Fourcade, Claude Cadoz, ACROE, France |
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THURSDAY, September 20 |
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SALON CETRO
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SALON CORONA |
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PAPER SESSION 16: Physical Modeling 6 |
Demonstration 1 |
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9:00 |
AUTOMATIC ESTIMATION OF CONTROL PARAMETERS : AN
INSTANCE-BASED LEARNING APPROACH Wim D'haes, Xavier Rodet, IRCAM, France |
THE ACCORDIATRON: A GESTURAL INTERFACE FOR
INTERACTIVE MUSIC Michael Gurevich, CCRMA, Stanford University, USA;
Stephan Von Muehlen, Stanford University, USA |
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9:20 |
PARAMETER ESTIMATION FOR DUAL-POLARIZATION PLUCKED
STRING MODELS Axel Nackaerts, Bart De Moor, Katholieke
Universiteit Leuven, Belgium; Rudy Lauwereins |
AN INTERACTIVE BEAT TRACKING AND VISUALISATION
SYSTEM Simon Dixon, Austrian Research Institute for
Artificial Intelligence, Austria |
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9:40 |
DATA-DRIVEN IDENTIFICATION AND COMPUTER ANIMATION
OF BOWED STRING MODEL Julius Smith, Harvey Thornburg ; Stefania Serafin,
CCRMA, USA |
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PAPER
SESSION 17: Perceptual Synthesis |
PAPER
SESSION 18: Interactive Systems 1 |
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10:10 |
10:10 PERCEPTUAL WAVETABLE MATCHING FOR SYNTHESIS
OF MUSICAL INSTRUMENTAL TONES Simon Wun, Andrew Horner, Lydia Ayers, HKUST, Hong
Kong |
CREATING AND EXPLORING HUGE PARAMETER SPACES:
INTERACTIVE EVOLUTION AS A TOOL FOR SOUND GENERATION Palle Dahlstedt, Innovative Design, Chalmers
University of Technology, Sweden |
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10:30 |
LISTENER EVALUATION OF REDUCTION STRATEGIES FOR
SINUSOIDAL AND RESONANCE MODELS Amar Chaudhary, USA; David Wessel, Lawrence A.
Rowe |
THE MATRIX: A NEW MUSICAL INSTRUMENT FOR
INTERACTIVE PERFORMANCE Dan Overholt, USA |
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11:00 |
ON THE IMPORTANCE OF PHASE
INFORMATION IN ADDITIVE ANALYSIS/SYNTHESIS OF BINAURAL SOUNDS Tue Haste Andersen, Kristoffer Jensen, DIKU,
Denmark |
TOWARDS A VIRTUAL MEMBRANE: NEW ALGORITHMS AND
TECHNOLOGY FOR ANALYZING GESTURAL DATA Andrew Schloss, Peter Driessen, University of
Victoria, Canada |
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PLENARY SESSION 2
11:30 AM ICMA MEMBERS
GENERAL MEETING |
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12:20 – 14:00 LUNCH |
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Studio Reports 2 |
LINUX
PANEL |
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14:00 |
THE INTERNATIONAL SOUND ART FESTIVAL IN MEXICO
CITY (SOUND, ITS RELATIONSHIP TO THE ART DISCIPLINES AND TO THE NEW
TECHNOLOGIES) Manuel Rocha, Mexico |
14:00 INTRODUCTORY REMARKS Nicola
Bernadini |
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14:20 |
DELIMITATION OF COMPOSITIVE CONSTANTS IN
ELECTROACOUSTIC MUSIC FROM THE INTERIOR OF ARGENTINA Martín Fumarola, LEIM, National University
of Córdoba, Argentina |
14:10 AUDIO LATENCY MEASUREMENTS OF DESKTOP
OPERATING SYSTEMS Karl MacMillan, Michael Droettboom, Ichiro
Fujinaga, Peabody Institute of Johns Hopkins University, USA |
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14:40 |
MUSIC TECHNOLOGY: PEDAGOGY AND RESEARCH @ THE
UNIVERSITY OF LIMERICK Paschall De Paor,
University of Limerick, Ireland |
14:40 PORTAUDIO - AN OPEN SOURCE CROSS PLATFORM
AUDIO API Phil Burk, SoftSynth.com, USA; Ross Bencina, Sonic
Fritter Pty. Ltd., Australia |
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PAPER
SESSION 19: Perception
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15:10 |
OCTAVE AMBIGUOUS TONES AS COMPETITION BETWEEN
VIRTUAL PITCHES Immanuel Normann, Germany; Hendrik Purwins, Klaus
Obermayer |
15:10
A SYSTEM SUPPORTING FLEXIBLE DISTRIBUTED REAL-TIME MUSIC PROCESSING Roger Dannenberg, USA; Patrick van de Lageweg |
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15:30 |
ACOUSTIC CUES FROM SHAPES BETWEEN SPHERES AND
CUBES Federico Fontana, Davide Rocchesso, University of
Verona, Italy; Enzo Apollonio, University of Padova, Italy |
15:30
DEMUDI: THE DEBIAN MULTIMEDIA DISTRIBUTION François Déchelle, IRCAM - Centre
Pompidou, France; Günter Geiger, XDV, Austria; Dave Phillips, Linux
Music and Sound, Ohio, USA |
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15:50 |
AUDIBILITY OF INITIAL PITCH GLIDES IN STRING
INSTRUMENT SOUNDS Hanna Järveläinen, Vesa
Välimäki, Laboratory of Acoustics and Audio Signal Processing,
Helsinki University of Technology, Finland |
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FRIDAY,
September 21
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SALON CETRO
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SALON CORONA |
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PAPER
SESSION 20: Expression 1
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PAPER SESSION 21: Networks&Loudspeakers |
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9:00 |
SPECTRAL ANALYSIS OF TIMING PROFILES OF PIANO
PERFORMANCES Paul Trilsbeek, The Netherlands; Peter Desain,
Henkjan Honing |
9:00 ARCHITECTURAL OVERVIEW OF A SYSTEM FOR
COLLABORATIVE MUSIC COMPOSITION OVER THE WEB Otto Wüst, Sergi Jordà, Music
Technology Group, Audiovisual Institute, Pompeu Fabra University, Spain |
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9:20 |
THE LOCAL BOUNDARY DETECTION MODEL (LBDM) AND ITS
APPLICATION IN THE STUDY OF EXPRESSIVE TIMING Emilios Cambouropoulos, Austria |
9:20 USING THE WEB FOR LIVE INTERACTIVE MUSIC John P. Young, Peabody Conservatory, USA |
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9:40 |
ARTICULATION RULES FOR AUTOMATIC MUSIC
PERFORMANCE. Roberto Bresin, Sweden |
9:40 RADIATION CONTROL ON MULTI LOUDSPEAKER DEVICE
: LA TIMÉE Nicolas MISDARIIS, France |
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PAPER
SESSION 23: Expression 2
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PAPER
SESSION 22: Interactive Systems 2 |
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10:10 |
INDUCTIVE LEARNING OF GENERAL AND ROBUST LOCAL
EXPRESSION PRINCIPLES Gerhard Widmer, Austrian Research Institute for
Artificial Intelligence, Austria |
10:10 PREPARATION FOR INTERACTIVE LIVE COMPUTER
PERFORMANCE IN COLLABORATION WITH A SYMPHONY ORCHESTRA Timothy Madden, USA; Ronald Bruce Smith, Matthew
Wright, David Wessel |
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10:40 |
ETNA - A NEW ADVANCED GRAPHICAL TREE
REPRESENTATION OF MUSIC Wolfgang Chico-Topfer, Germany |
10:30 MANAGING COMPLEXITY WITH EXPLICIT MAPPING OF
GESTURES TO SOUND CONTROL WITH OSC Matthew Wright, USA; Adrian Freed, Ahm Lee ;
Timothy Madden, CNMAT, USA; Ali Momeni |
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10:50 SYSTEM-LEVEL MIDI PERFORMANCE TESTING Jim Wright, USA; Eli Brandt |
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PAPER
SESSION 24: Abstract Synthesis 1 |
PAPER
SESSION 25: Composition Tools |
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11:20 |
FREQUENCY SHAPING OF AUDIO SIGNALS Christopher Penrose, Japan |
11:20 VISUAL AND ADAPTIVE CONSTRAINT PROGRAMMING
IN MUSIC Charlotte Truchet, Gérard Assayag, Equipe
Représentation Musicales, IRCAM, Université de Paris 6, France;
Philippe Codognet, Equipe Représentation Musicales, LIP6,
Université de Paris 6, France |
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11:40 |
MANIPULATION AND RESYNTHESIS WITH NATURAL GRAINS Reynald Hoskinson, Dinesh
Pai, University of British Columbia, Canada |
11:50
QSKETCHER: AN ENVIRONMENT FOR COMPOSING MUSIC FOR FILM Daniel Oppenheim, Steven Abrams, Robert Fuhrer,
James Wright, IBM TJ Watson Research Center, USA; David Mash, Richard
Boulanger, Neil Leonard, Michael Rendish, Joe Smith, Berklee College of
Music, USA; Ralph Bellofatto, IBM TJ Watson Research Center, USA |
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12:00 |
TEMPORAL FILTERING: FRAMING SONIC OBJECTS Barry Moon, Brown
University, USA (Presented by Cort Lippe w/ video). |
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12:20 – 14:00 LUNCH |
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PAPER
SESSION 26: Abstract Synthesis 2 |
Studio
Reports 3 |
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14:00 |
SYNTHESIZING SOUNDS WITH SPECIFIED, TIME-VARYING
SPECTRA Miller Puckette, USA |
CENTER FOR COMPUTER RESEARCH IN MUSIC AND
ACOUSTICS (CCRMA) Fernando Lopez-Lezcano, USA |
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14:20 |
HARD SYNC WITHOUT ALIASING Eli Brandt, USA |
CENTER FOR NEW MUSIC AND AUDIO TECHNOLOGIES
(CNMAT): STUDIO REPORT Richard Andrews, USA |
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14:40 |
ADAPTIVE ADDITIVE SYNTHESIS USING SPLINE BASED
PARAMETER TRAJECTORY MODELS Axel Roebel, IRCAM, France |
KOPAVOGUR COMPUTER MUSIC CENTER (KCMC) Hilmar Thordarson, Rikhardur H. Fridriksson, KCMC,
Iceland |
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PAPER SESSION 27: Abstract Synthesis 3 |
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15:10 |
NEW PUBLIC-DOMAIN REALIZATIONS OF STANDARD PIECES
FOR INSTRUMENTS AND LIVE ELECTRONICS Miller Puckette, Department of Music, UCSD, USA |
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15:40 |
AN AUDIO-DRIVEN PERCEPTUALLY-MEANINGFUL TIMBRE
SYNTHESIZER Tristan Jehan, USA; Bernd Schoner |
Demonstration
2 WILLIAMS [RE]MIX[ER]: A N INTERACTIVE I CHING COMPOSING PROGRAM Larry Austin, Michael A. Thompson, University of
North Texas, Texas, USA |
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SATURDAY,
September 22
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SALON CETRO
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SALON CORONA |
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PAPER SESSION 28: Pitch Tracking |
Demonstration
3
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9:00 |
REFINED KNOWLEDGE-BASED F0 TRACKING: COMPARING
THREE FREQUENCY EXTRACTION METHODS Stéphane Rossignol, The Netherlands; Peter
Desain ; Henkjan Honing, NICI -MMM, The Netherlands |
9:00 REAL TIME EXTENDED PHYSICAL MODELS FOR THE
COMPOSER AND PERFORMER Matthew Burtner, USA; Stefania Serafin |
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9:30 |
EFFICIENT PITCH DETECTION TECHNIQUES FOR
INTERACTIVE MUSIC Patricio de la Cuadra, Craig Stuart Sapp, Aaron
Master, Center for Computer Research in Music and Acoustics, Stanford
University, USA |
9:30
TRUMPET AND TRUMPET PLAYER: MODELING AND SIMULATION IN A MUSICAL
CONTEXT Christophe Vergez, Xavier Rodet, Ircam, France |
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10:00 |
CONSTANT Q PROFILES FOR TRACKING MODULATIONS IN
AUDIO DATA FORMAT Hendrik Purwins, Germany; Benjamin Blankertz,
Klaus Obermayer |
10:00
GROUPING, SMILARITY AND THE RECOGNITION OF RHYTHMIC STRUCTURE Tillman Weyde, University of Osnabrueck, Germany |
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PAPER SESSION 29: Visualization
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PAPER SESSION 30: Transcription |
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10:30 |
HARMONIC VISUALIZATIONS OF TONAL MUSIC Craig Stuart Sapp, USA |
10:30 AUTOMATIC BASS LINE TRANSCRIPTION FROM
POLYPHONIC MUSIC Stephen W. Hainsworth, Malcolm Macleod, Signal
Processing Group, Department of Engineering, University of Cambridge, United
Kingdom |
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10:50 |
VISUALIZING MUSICAL STRUCTURE AND RHYTHM VIA
SELF-SIMILARITY Jonathan Foote, Matthew Cooper, FX Palo Alto
Laboratory, Inc., USA |
10:50
A GENETIC SEARCH TECHNIQUE FOR POLYPHONIC PITCH DETECTION Guillermo Garcia, Creative Advanced Technology
Center, USA |
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PAPER SESSION 31: Machine Learning 1 |
Studio Reports 4
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11:20 |
MACHINE LEARNING TECHNIQUES FOR REAL-TIME
IMPROVISATIONAL SOLO TRADING Belinda Thom, School of Computer Science, Carnegie
Mellon University, USA |
11:50 HYPERMUSIC AND THE SIGHTING OF SOUND –
A NOMADIC STUDIO REPORT Bert Bongers, The Meta-Orchestra, .net; Jonathan
Impett (Presented by Nicola Bernadini) |
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11:50 |
AUTOMATIC MODELING OF MUSICAL STYLE Olivier Lartillot, Ircam, FRANCE; Shlomo Dubnov,
Ben Gurion University, ISRAEL; Gérard Assayag, Ircam, FRANCE; Gill
Bejerano, Institute of Computer Science, Hebrew University, Israel |
GESTURAL CONTROL AT IRCAM Marcelo Wanderley, Ircam - Centre Pompidou,
France; Marie-Hélène Serra, Marc Battier, IRCAM - Centre
Pompidou, France; Xavier Rodet, IRCAM |
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12:00 |
12:00 PRINCETON SOUND KITCHEN SOFTWARE REPORT Perry Cook, USA |
REAL TIME EXTENDED PHYSICAL MODELS FOR THE
COMPOSER AND PERFORMER M. Burtner |
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12:20 – 14:00 LUNCH |
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PAPER SESSION 32: Machine Learning 2 |
Accreditation PANEL |
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14:00 |
LEARNING-BASED JAM SESSION SYSTEM FOR A GUITAR
TRIO Masatoshi Hamanaka, Japan; Masataka Goto, Nobuyuki
Otsu |
NOTE:
This panel was originally suggested by Andrew Horner, who is not here at
ICMC. However, the panel
proceeded as scheduled. Among the others present were Ken Fields, Paul Berg, Steven
Pope, Iannos Zannos, Xavier Serra, etc.
Iannos took notes on the meeting/panel. |
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14:30 |
ANALYSIS AND SYNTHESIS OF PALESTRINA-STYLE
COUNTERPOINT USING MARKOV CHAINS Mary Farbood, Bernd Schoner, MIT Media Laboratory,
USA |
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14:40 |
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PAPER SESSION 33: Machine Learning 3 |
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15:10 |
REPRESENTATION AND DISCOVERY OF MULTIPLE VIEWPOINT
PATTERNS Darrell Conklin, ZymoGenetics, Inc., USA;
Christina Anagnostopoulou, University of Edinburgh, Scotland |
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15:40 |
A MEMORY-BASED MODEL FOR MUSIC ANALYSIS: CHALLENGING
THE GESTALT PRINCIPLES Rens Bod, School of Computing, University of
Leeds, The Netherlands |
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