Toru Takemitsu was a japanese composer of music, who explored the compositional principles of Western classical music and his native Japanese tradition both in isolation and in combination.

Born in Tokyo, Takemitsu first became interested in western classical music around the time of World War 2. He heard western music on American military radio while recuperating from a long illness. He also listened to jazzfrom his father's ample collection.

Takemitsu was largely self-taught in music. He was greatly influenced by the music of Claude Debussy and Olivier Messiaen. In 1951 he founded the Jikken Kobo, a group which introduced many contemporary western composers to Japanese audiences.

Takemitsu at first had little interest in traditional Japanese music, but later incorporated Japanese instruments such as the shakuhachi (a kind of bamboo flute) into the orchestra. November Steps (1967), a work for shakuhachi and biwa (a kind of Japanese lute) solo and orchestra was the first piece to combine instruments from east and west. In an Autumn Garden (1973-79) is written for the kind of orchestra that would have played gagaku(traditional Japanese court music). Works such as Eclipse, (1966) for shakuhachi andbiwa, Voyage (1973), for three biwas should also been mentioned as works that are decidedly derived from traditional genres.

Takemitsu first came to wide attention when his Requiem for string orchestra (1957) was accidentally heard and praised by Igor Stravinsky in 1959 (some Japanese people wanted Igor Stravinsky to hear some tape recorded music by Japanese composers and put the tape by the reverse side, and when they tried to take it out, Stravinsky didn't let them). Stravinsky went on to champion Takemitsu's work.

Takemitsu's works include the orchestral piece A Flock Descends Into the Pentagonal Garden (1977), Riverrun for piano and orchestra, and the string quartet A way a Lone (1981, another piece inspired by Finnegans Wake). Chamber music such as Distance de Fee (1951) for violin and piano, or Between tides, for violin, cello and piano, are to be also mentioned. And such jewels of the piano music as Rain tree sketch (1982), Rain Tree Sketch II (1992), Les Yeus Clos (1979) o Les Yeus Clos II (1988) are considered to be amongst the finest works for the instrument written in the twentieth century. He also composed electronic music and almost a hundred film scores for Japanese films including those for Hiroshi Teshigahara's Woman in the Dunes (1964), Akira Kurosawa's Ran(1985) and Shohei Imamura's Black Rain (1989). His first score was for Toshio Matsumoto's Ginrin. His music for cinema rests deeply upon the concept that a new film needs a new sound colour, and is as much about taking out sounds as about taking them in.

Some of the formal concepts in Takemitsu's music depend deeply on visual imagery, taken from paintings, dreams, or his concept (about which he writes much) of the garden.

Takemitsu died in Tokyo on Feburary 20, 1996.

He was posthumously awarded the fourth Glenn Gould Prize in Autumn, 1996.