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Imperial Paradise? |
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Perhaps it is a commonplace of
modern tourism that shopping is a tourist attraction in
itself. This is certainly true of Victoria Eaton's
Centre, a heritage-style shopping mall built in the late
1980's. Construction of the mall involved demolishing the original Victorian buildings on the site, a move which sat uneasily with local residents. In an attempt to calm public feeling, the designers and builders included recreations of the façade of the original buildings in the exterior walls of the four-storey centre. The current façade are fantasies on the original Driard Hotel, the Victoria Theatre, the Times building, the Winch building and the Lettice and Sears building. |
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The end result was the substitution
of imagined, "theme-park" heritage for actual
historic buildings. One of the mall's most interesting features is a clock that is suspended from the ceiling in front of what used to be the Eaton's store. Much like the building itself, the clock is a historical fantasy. On two sides of the clock are displayed local Victoria time and the slogan, "Victoria Eaton Centre Grand Opening 1990". On the other two sides are smaller, individual clock-faces supposedly displaying the time in Halifax, Bombay, Singapore and Brisbane on the north side, and London, Nassau, Zanzibar and Kowloon on the south side. Beneath these smaller clock-faces there is a slogan which reads, "Westward the course of Empire goes forth". The source of this quote is unclear, but its message is an unmistakably imperial one. |
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The clock floating above the commerce of the mall. |
The slogan may allude to a line by philosopher George Berkeley, "Westward the course of Empire takes its way", which refers to the American push towards the west as part of its manifest destiny. |
"Westward the course of Empire goes forth." |
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However, the cities listed on the clock, all
previously Imperial ports, seem to place it within the
context of the British Empire. Here, on one clock is a
mixture of imperial histories and referents and the final
result is curious imperial fantasy. Why was this type of historical recreation chosen as interior decoration for a modern mall in a multicultural city? Whatever conclusion you draw it is interesting to note that the earliest promotional campaigns for consumer goods in the nineteenth century often drew on similar jumbles of disconnected historical ideas. Perhaps historical fantasy is a marketer's most valuable tool. |
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