ICMC 2001

Call for Papers, Posters, Demos, & Studio Reports

Deadline for Paper submission is over.

See also:

• Call for Music
• Important Deadlines
• Music Submission Form

 

All papers, or extended abstracts, posters, studio reports, and demonstrations contributions needed to be submitted by February 15, 2001 (E-Mail Timestamp).

Thank you for your interest.

Papers or extended abstract submission instructions are available on-line.

Remembering the legacy of Stanley Kubrick, we subtitle this historic conference "ICMC 2001 in Havana: A Cultural Odyssey." Papers dealing with the influence of digital technology in both Western music and in other, traditional cultures are strongly encouraged, and also papers dealing with improvisation in electroacoustic music.

Further topics for papers include but are not limited to:

Special topics for "Open Art, Open Software & Open Hardware"

• Open source Standards for Encoding and Communication of Music and Sound
• Open art, open software, open hardware
• Linux, Hurd and Audio
• Improvisation in Computer Music
• Visualizing Music
• Open Scientific Literature
• Sound Repositories

...and more in general:

• Acoustics of Musical Instruments and Voice
• Aesthetics of Computer Music and Music Technology
• Artificial Intelligence and Computer Music
• Audio Analysis and Resynthesis
• Audio Hardware and Signal Processing
• Auditory Displays
• Codes, Systems and Data Structures for Music Representation, Notation, and Printing
• Composition Systems, Techniques, and Tools
• Computer Assisted Music Analysis
• Computer Assisted Music Education and Music Therapy
• Computer Music and Other Digital Art/Multimedia and Film
• Digital Sound Processing: Sound Analysis and Synthesis; Effects
• Gesture Sensors and Controllers
• Human Machine Interaction in Music Performance and Sound Installations
• Improvisation in Computer Music
• Interactive and Real-Time Performance Systems
• Machine Recognition of Audio and Music
• MIDI Applications
• Music Distribution via Internet
• Music and Acoustic Analysis
• Music Education
• Music Grammars and Languages, Methods and Languages for Synthesis
• Music Workstations and Performance Interfaces
• Musical Emotion and Appreciation: Analysis, Simulation and Enhancement
• New Musical Instruments, Enhanced Musical Instruments
• Perception, Cognition and Psychoacoustics
• Physical Modeling
• Real-Time Sound and Music Synthesis Systems
• Room Acoustics
• Spatialization
• Standards for Encoding and Communication of Music and Sound (e.g. OGG, MPEG-4, etc.)
• Studio Reports
• Virtual Music Environments and Immersive Systems
• Other

Deadline for Paper submission is over.