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Habra, Hedy. “Recuperación de la imagen materna a la luz de elementos fantásticos en Pedro Páramo”. Chasqui. 33.2  (2004): 90-103

Hall, James, and E. H. Gombrich. “ART HISTORY the Preference for the Primitive - Episodes in the History of Western Taste and Art.” TLS, the Times literary supplement.5194 (2002): 3. ArticleFirst 2007.09.17.

Hallas, Roger. Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image. Durham and London: Duke University Press, 2009.

Hall-Duncan, Nancy, A.D. Coleman, et al. E.O. Hoppé : 100,000 Exposures. New York: Photo Center Gallery, New York University School of the Arts, 1982. WorldCat 2007.05.13.

Halperin Donghi, Tulio. “El presente transforma el pasado: el impacto del reciente terror en la imagen de la historia argentina.” In Ficción y política: la narrativa argentina durante el proceso militar. Ed. Daniel Balderston et al. Buenos Aires: Alianza; Minneapolis: Institute for the Study of Ideologies & Literature, University of Minnesota, 1987, 71-95.

Hamilton, Peter, and Henri Cartier-Bresson. "Europeans. Tete a Tete.” TLS, the Times Literary Supplement 4961 (1998): 18. Academic Search Elite 2007.01.23.

Hamon, Philippe, ‘Pierrot photographe’, in Romantisme, CV/3 (1999), pp. 35—44.

---. Imageries. Paris: José Corti, 2001.

Hansen, Miriam, ‘Mass Culture as Hieroglyphic Writing: Adorno, Derrida, Kracauer’, New German Critique, LVI (Spring_Summer, 1992), pp. 43—73.

Harris, David y Sebastião Salgado. “Los varados del Kurdistán”. Luna Córnea. 15 (may-ago 1998): 126-135.

Harris, Melissa. “Susan Meiselas.” Aperture 133 (fall 1993): 24-33.

Harrison, Joan, A.D. Coleman, and John Heartfield. Montage : Hillwood Art Gallery Nov. 2-Dec. 18, 1988. Brookville, N.Y: Hillwood Art Gallery, C.W. Post Campus, Long Island University, 1988. WorldCat 2007.05.13.

Harter, Deborah A. Bodies in Pieces: Fantastic Narrative and the Poetics of the Fragment. Stanford, Calif.: Stanford UP, 1996.

Hartmann, Heidi, Linda Williams, et al. “Bringing Together Feminist Theory and Practice: A Collective Interview.” Signs 21.4, Feminist Theory and Practice (1996): 917-51. JSTOR 2006.11.21.

Harvey, John, Photography and Spirit (London, 2007).

Haslip-Viera, Gabriel. “Casta Painting: Images of Race in Eighteenth-Century Mexico”. Hispanic American Historical Review 86 (2006): 364-365. <http://hahr.dukejournals.org/>

Hastie, Amelie, Lynne Joyrich, Constance Penley, Sasha Torres, Patricia White y Sharon Willis. Camera Obscura at Thirty. Durham and London: Duke University Press, 2006.

Hawker, Rosemary. “The Idiom in Photography As the Truth in Painting”. South Atlantic Quarterly 101 (2002): 541-554. <http://saq.dukejournals.org/>

Hayes, Kevin J., ‘Poe, the Daguerreotype, and the Autobiographical Act’, Biography, XXV/3 (Summer 2002), pp. 477—92.

Hayles, N. Katherine, Vivian Sobchack, et al. "In Response to Jean Baudrillard." Science-fiction studies 18.55 (1991): 321. ArticleFirst 2006.10.17

Heath, Stephen. The Nouveau Roman. A Study in the Practice of Writing. Philadelphia:  Temple U P, 1972.

Heffernan, James A. W. “Alberti on Apelles: Word and image in De Pictura.” International Journal of the Classical Tradition II (1996): 345-359. GoogleScholar 2007.11.11.

---. “Ekphrasis and Representation.” New Literary History 22.2, Probings: Art, Criticism, Genre (1991): 297-316. JStor 2007.11.11.

---. “Literacy and Picturacy: How Do We Learn to Read Pictures?” Prisms: Essays in Romanticism 7 (1999): 17-49.  Revised version appears in Cultural Functions of Intermedial Expoloration, ed. Erik Hedling and Ulla-Britta Lagerroth (Amsterdam: Rodopi,  2002): 35-66. Google 2007.11.11.

---. “Looking at the Monster: “Frankenstein” and Film.” Critical Inquiry 24.1 (1997): 133-58. JStor 2007.11.11.

---. “Love, Death, and Grotesquerie: Beardsley's Illustrations of Wilde and Pope.” Book Illustrated: Text, Image, and Culture 1770-1730, ed. Catherine J. Golden (New Castle, Delaware: Oak Knoll Press, 2000): 195-240. Google 2007.11.11.

---. “Museum of Words. The Poetics of Ekphrasis from Homer to Ashbery. Chicago and London: The University of Chicago Press, 1993.

---. “Painting Against Poetry: Reynolds's Discourses and the Discourse of Turner's Art.” Word & Image: A Journal of Verbal/Visual Enquiry 7.3 (1991): 275-99. MLA International Bibliography 2007.11.11.

---. “Peter Milton's Turn: An American Printmaker Marks the End of the Millennium.” Word & Image: A Journal of Verbal/Visual Enquiry 16.2 (2000): 177-96. MLA International Bibliography 2007.11.11.

---. “Resemblance, Signification, and Metaphor in the Visual Arts.” The Journal of Aesthetics and Art Criticism 44.2 (1985): 167,169+171-180. JStor 2007.11.11.

---. “Self-Representation in Byron and Turner.” Poetics Today 10.2, Art and Literature II (1989): 207-41. JStor 2007.11.11.

---. “Space and Time in Literature and the Visual Arts.” Soundings: An Interdisciplinary Journal 70.1 (1987): 95-119. MLA International Bibliography 2007.11.11.

---. “Speaking for Pictures: The Rhetoric of Art Criticism.” Word & Image: A Journal of Verbal/Visual Enquiry 15.1 (1999): 19-33. MLA International Bibliography 2007.11.11.

---. “The English Romantic Perception of Color.” Images of Romanticism: Verbal and Visual Affinities. Ed. Karl Kroeber and William Walling. New Haven: Yale UP, 1978. 133-148. MLA International Bibliography 2007.11.11.

---. “Wordsworth and Dennis: The Discrimination of Feelings.” PMLA 82.5 (1967): 430-6. JStor 2007.11.11.

---. “Wordsworth on Imagination: The Emblemizing Power.” PMLA 81.5 (1966): 389-99. JStor 2007.11.11.

---. “Wordsworth, Constable, and the Poetics of Chiaroscuro.” Word & Image: A Journal of Verbal/Visual Enquiry 5.3 (1989): 260-77. MLA International Bibliography 2007.11.11.

---. Comparative Literature 43.1 (1991): 75-7. JStor 2007.11.11.

---. Cultivating Picturacy: Visual Art and Verbal Interventions. Waco, TX: Baylor UP, 2006. MLA International Bibliography 2007.11.11.

---. Museum of Words. The Poetics of Ekphrasis from Homer to Ashbery. Chicago and London: The University of Chicago Press, 1993.

---. Representing the French Revolution : Literature, Historiography, and Art. Hanover, NH: Dartmouth College : University Press of New England, 1992. UVic Main Catalogue 2007.11.11.

---. Space, Time, Image, Sign: Essays on Literature and the Visual Arts. New York: Peter Lang, 1987. MLA International Bibliography 2007.11.11.

---. The Re-Creation of Landscape : A Study of Wordsworth, Coleridge, Constable, and Turner. Hanover: Published for Dartmouth College by University Press of New England, 1984. UVic Main Catalogue 2007.11.11.

---. Wordsworth's Theory of Poetry; the Transforming Imagination. Ithaca: Cornell University Press, 1969. UVic Main Catalogue 2007.11.11.

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Heffernan, James A. W., and George P. Landow. “The Temporalization of Space in Wordsworth, Turner, and Constable.” Space, Time, Image, Sign: Essays on Literature and the Visual Arts. Ed. James A. W. Heffernan. New York: Peter Lang, 1987. 63-82. MLA International Bibliography 2007.11.11.

Heffernan, James A. W., ed. Preface. Space, Time, Image, Sign. Essays on Literature and the Visual Arts. New York: Peter Lang Publishing, 1978.

Heilbrun Francoise, et al, En collaboration avec le Soled: Victor Hugo. photographies de l’exil (Paris, 1998).

Hendon, Julia A. Houses in a Landscape: Memory and Everyday Life in Mesoamerica. Durham and London: Duke University Press, 2010.

Hendrix, Jan. “Bitácora”. Luna Córnea. 15 (may-ago 1998): 62-65.

Henri Cartier-Bresson dessins et photos. Dir. Annick Alexandre. Produced by FR3 Dijon, commentary by the artist. 2 minutes and 33 seconds. 1992. Entry from wikipedia.com. Google 2007.02.14.

Henri Cartier-Bresson the Impassioned Eye. Dir. Bütler, Heinz. Wolfgang Frei, Agnès Sire, Henri Cartier-Bresson, Isabelle Huppert, Robert Delpire, Elliott Erwitt, Josef Koudelka, and Arthur Miller. 1 videodisc (72 min.). Palm Pictures, 2006. WorldCat 2007.01.24.

Hensher, Philip, and E. H. Gombrich. “The Story of Art.” The spectator 275.8722 (1995): 33.

Heredia, Fernando Martinez. “In the Furnace of the Nineties: Identity and Society in Cuba Today”. boundary 2 29 (2002): 137-147. <http://boundary2.dukejournals.org/>

Hernández, Felisberto. “Muñecas”. Luna Córnea. 4 (1994): 26.

Hernández, Petul. “Los toros del carnaval”. Luna Córnea. 20 (2000): 112-117.

Hernandez, Rafael. “Looking at Cuba: Notes toward a Discussion”. boundary 2 29 (2002): 123-136. <http://boundary2.dukejournals.org/>

Hernandez-Reguant, Ariana. “Copyrighting Che: Art and Authorship under Cuban Late Socialism”. Public Culture 16 (2004): 1-30. <http://publicculture.dukejournals.org/>

Heron, Liz. Illuminations: Women Writing on Photography From the 1850s to the Present. Durham and London: Duke University Press, 1996.

Hershfield, Joanne. Imagining la Chica Moderna: Women, Nation, and Visual Culture in Mexico, 1917-1936. Durham and London: Duke University Press, 2008.

Higgins, Ceri. “Transitando lo mexicano”. Luna Córnea. 32 (2007):

Hill, Paul and Thomas Cooper. Dialogue with Photography. Oxford: Dewi Lewis Publishing, 1979.

Hingley, Peter D. “¿El primer eclipse fotografiado?”. Luna Córnea. 21-22 (2001): 122-129.

Hirsch, Marianne. “A Mother's Discourse: Incorporation and Repetition in La Princesse De Cleves.”   Yale French Studies.62, Feminist Readings: French Texts/American Contexts (1981): 67-87. JSTOR 2006.11.26.

---. “Beyond Gender and Genre.”   NOVEL: A Forum on Fiction 29.2 (1996): 250-2. JSTOR 2006.11.26.

---. “Butor's Mythic Quest.”   NOVEL: A Forum on Fiction 14.3 (1981): 282-4. JSTOR 2006.11.26.

---. “Clytemnestra’s Children: Writing (Out) the Mother’s Anger.” Modern Critical Views: Alice Walker. Ed. Harold Bloom. New Haven: Chelsea House Publishers, 1988. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Collected Memories: Lorie Novak’s Virtual Family Album.” Inter/Faces: Women’s Visual and Performance Art. Ed. Sidonie Smith and Julia Watson. Ann Arbor: University of Michigan Press, 2002. rpt. in S&F Online 1.3 (Winter 2003). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Editor's Column: Collateral Damage.”   PMLA: Publications of the Modern Language Association of America 119.5 (2004): 1209-15. Academic Search Elite 2006.11.26.

---. “Editor's Column: On the Way to the Forum.”   PMLA: Publications of the Modern Language Association of America 119.1 (2004): 9-15. Academic Search Elite 2006.11.26.

---. “Editor's Column: Uprooted Words on a Bookshelf in Chernivtsi.”   PMLA: Publications of the Modern Language Association of America 121.5 (2006): 1391-404. Academic Search Elite 2006.11.26.

---. “Editor's Column: What can a Journal Essay Do?”   PMLA: Publications of the Modern Language Association of America 121.3 (2006): 617-26. Academic Search Elite 2006.11.26.

---. “Editor's Column: What's Wrong with these Terms? A Conversation with Barbara Kirshenblatt-Gimblett and Diana Taylor.”   PMLA: Publications of the Modern Language Association of America 120.5 (2005): 1497-508. Academic Search Elite 2006.11.26.

---. “Editor's Note.”   PMLA: Publications of the Modern Language Association of America 119.2 (2004): 209-10. Academic Search Elite 2006.11.26.

---. “Family Pictures: Maus, Mourning and Post-Memory.”  Discourse: Journal for Theoretical Studies in Media and Culture 15.2 (Winter 1992-93): 3-29.

---. “Female Family Romances and the ‘Old Dream of Symmetry’.”  Literature and Psychology 32.4 (Winter 1986), 37-47.                      < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Feminism at the Maternal Divide: A Diary.”  The Politics of Motherhood. Ed. Annelise Orleck and Diana Taylor. Hanover: University Press of New England, 1996. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “From Great Expectations to Lost Illusions: The Novel of Formation as Genre.” Genre XII.3 (1979): 293-311. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Gender, Reading, and Desire in Moderato Cantabile.”   Twentieth Century Literature 28.1 (1982): 69-85. JSTOR 2006.11.26.

---. “Generation Gaps.”   Women's Review of Books 20.6 (2003): 8. Academic Search Elite 2006.11.26.

---. “I Took Pictures: September 2001.” Trauma at Home. Ed. Judith Greenberg. Lincoln: University of Nebraska Press, 2003.                 < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Ideology, Form and Grimm’s Allerleirauh: Reflections on Reading for the Plot.”  Children’s Literature14 (1986): 163-168. Rpt. in Narrative Theory: Critical Perspectives, ed. Mieke Bal (NY: Routledge, 2004). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Introduction.”   Here and Somewhere Else. Eds. Grace Paley and  Robert Nichols. New York: Feminist Press at the City University of New York, 2007. WorldCat 2006.11.26.

---. “Jane’s Family Romances.” Borderwork: Feminist Engagements with Comparative Literature. Ed. Margaret Higonnet. Ithaca: Cornell University Press, 1994. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Knowing Their Names: Toni Morrison’s Song of Solomon.”  New Essays on Song of Solomon. Ed. Valerie Smith. Cambridge: Cambridge University Press, 1994. rpt. in Modern Critical Views: Song of Solomon, ed. Harold Bloom (New Haven: Chelsea House Publishers, 1999). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Marked by Memory: Feminist Reflections on Trauma and Transmission.” Extremities: Trauma, Testimony, Community. Ed. Nancy K. Miller and Jason Tougaw. Urbana: Illinois University Press, 2002. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Masking the Subject.” The Point of Theory. Ed. Mieke Bal and Inge Boer. Amsterdam: Amsterdam University Press, 1994.                     < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Maternal Anger: Silent Themes in Psychoanalytic Feminism,”  Minnesota Review, n.s. 29 (Fall 1987): 81-87. < http://www. columbia.edu/  ~mh2349/publications.html >. Google 2006.11.26.

---. “Maternal Narratives: Cruel Enough to Stop the Blood.”  Reading Black, Reading Feminist. Ed. Henry Louis Gates. New York: NAL, 1990); rpt. in Toni Morrison: Critical Perspectives, Past and Present, ed. Henry Louis Gates and K. Anthony Appiah (Amistad Media Ltd).         <http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Maternity and Rememory,”  Motherhood and Representation. Ed. Donna Bassin, Margaret Honey, Meryle Kaplan. New Haven: Yale University Press, 1994. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Michel Butor: The Decentralized Vision.”   Contemporary Literature 22.3 (1981): 326-48. JSTOR 2006.11.26.

---. “Mothers and Daughters.”   Signs 7.1 (1981): 200-22. JSTOR 2006.11.26.

---. “Nazi photographs in post-Holocaust Art: Gender as an Idiom of Memorialization.”   Crimes of War : Guilt and Denial in the Twentieth Century. Eds. Omer Bartov, Atina Grossmann, Mary Nolan. New York: New Press, Distributed by W.W. Norton & Co, 2002. WorldCat 2006.11.26.

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---. “Past Lives: Postmemories in Exile.”   Poetics Today 17.4, Creativity and Exile: European/American Perspectives II (1996): 659-86. JSTOR 2006.11.26.

---. “Photos de famille.”  Trans. Lori St Martin, Tangence (1995). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Pictures of a Displaced Girlhood.” Displacements: Cultural Identities in Question. Ed. Angelika Bammer. Bloomington: Indiana University Press, 1994. rpt. in Confessions of the Critics, ed. Aram Veeser (New York: Routledge, 1996). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Projected Memory: Holocaust Photographs in Personal and Public Fantasy.” Acts of Memory. Ed. Mieke Bal, Jonathan Crewe, Leo Spitzer. Hanover: University Press of New England, 1999. rpt. in Ways of Reading: An Anthology for Writers, ed. David Bartholomae and Anthony Petrosky (New York: Bedford/St. Martin, 2002). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Projected Memory: Holocaust Photographs in Personal and Public Fantasy.” In Acts of Memory: Cultural Recall in the Present. Ed., Mieke Bat, et al. Hanover and London, University Press of New England, 1999, 3-23.

---. “Reading Ruth with Naomi.”  Reading Ruth. Ed. Judith Kates and Gail Reimer. New York: Ballantine, 1994.  < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Resisting Images: Rereading Adolescence.” Girls, Girlhood and Girls’ Studies in Transition. Ed. Marion de Ras and Mieke Lunenberg. Amsterdam: Het Spinhuis, 1993. rpt. in Provoking Agents: Theorizing Gender and Agency, ed. Judith Kegan Gardiner (Urbana: University of Illinois Press), 1994. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Surviving Images: Holocaust Photographs and the Work of Postmemory.”   Yale Journal of Criticism 14.1 (2001): 5. Project Muse 2006.11.26.

---. “The Darkest Plots: Narration and Compulsory Heterosexuality,”  rpt. from The Mother Daughter Plot, in Virginia Woolf: A Collection of Critical Essays, ed. Margaret Homans. Englewood Cliffs, NJ: Prentice Hall, New Century Views, 1993: 196-209. < http://www. columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “The Day Time Stopped.”   Chronicle of Higher Education 48.20 (2002): B11. Academic Search Elite 2006.11.26.

---. “The Generation of Postmemory”. Poetics Today 29 (2008): 103-128. <http://poeticstoday.dukejournals.org/>

---. Beyond the Single Vision: Henry James, Michel Butor, Uwe Johnson. York, S.C: French Literature Publications, 1981. UVic Main Catalogue 2006.11.26.

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---. Editor's Column: The First Blow—Torture and Close Reading. Vol. 121. Modern Language Association of America, 2006. Academic Search Elite 2006.11.26.

---. Editor's Note. Vol. 120. Modern Language Association of America, 2005. Academic Search Elite 2006.11.26.

---. Family Frames : Photography, Narrative, and Postmemory. Cambridge, Mass: Harvard University Press, 1997. UVic Main Catalogue 2006.11.26.

---. Memory in Vladimir Nabokov's Lolita and Robert Musil's “Tonka.”  . 1970. WorldCat 2006.11.26.

---. The Familial Gaze. Hanover, NH: Dartmouth College, 1999. UVic Main Catalogue 2006.11.26.

---. The Mother. Bloomington: Indiana University Press, 1989. UVic Main Catalogue 2006.11.26.

---. The Mother/Daughter Plot Narrative, Psychoanalysis, Feminism. Bloomington: Indiana University Press, 1989. WorldCat 2006.11.26.

Hirsch, Marianne , et al. Disembodied Voices. Sound Recording. National Humanities Center, 1993. WorldCat 2006.11.26.

Hirsch, Marianne, and Anne Raeff. “Clara Mondschein's Melancholia.”   The Women's review of books 20.6 (2003): 8. ArticleFirst 2006.11.26.

Hirsch, Marianne, and Evelyn Fox Keller. Conflicts in Feminism. New York: Routledge, 1990. UVic Main Catalogue 2006.11.26.

Hirsch, Marianne, and Inc NetLibrary. “The Mother/Daughter Plot Narrative, Psychoanalysis, Feminism.”   Bloomington: Indiana University Press, 1989. Online access  <http://www.netlibrary.com/urlapi.asp?action=summary&v= 1&bookid=1824 >. WorldCat 2006.11.26.

Hirsch, Marianne, and Irene Kacandes. Teaching the Representation of the Holocaust. New York, N.Y: Modern Language Association of America, 2004. WorldCat 2006.11.26.

Hirsch, Marianne, and Ivy Schweitzer. “Jamaica Kincaid.” African American Writers. Ed. Valerie Smith. New York: Scribner’s, 2000.                                < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

Hirsch, Marianne, and Leigh Gilmore. “Book Reviews - Family Frames: Photography, Narrative, and Postmemory.”   Signs 27.1 (2001): 283. ArticleFirst 2006.11.26.

Hirsch, Marianne, and Leo Spitzer.  “What's Wrong with this Picture?” Journal of Modern Jewish Studies 5.2 (2006): 229-52. Academic Search Elite 2006.11.26.

---. “Gendered Translations: Claude Lanzmann’s Shoah.” Gendering War Talk. Ed. Miriam Cooke and Angela Woollacott Princeton: Princeton University Press, 1993. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Le Témoignage postmémoriel: sur les traces de Vapniarka.” LeTémoignage et l’écriture de l’histoire. Ed. Jean François Chiantaretto and Régine Robin. Paris, l’Harmattan, 2003. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Representing the Holocaust: Film and Video.” The Holocaust: Introductory Essays. Ed. Wolfgang Mieder and David Scrase. Burlington: University of Vermont Center for Holocaust Studies, 1996. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “Sites of Memory: Interviewing Holocaust Survivors in Bolivia.” Newsletter of the Fortunoff Video Archive of Holocaust Survivor Testimony. Yale University, 1996. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “War Stories: Witnessing in Retrospect,” Representation and Remembrance: The Holocaust in Art. REd. Shelley Hornstein and Florence Jacobowitz. Bloomington: Indiana University Press, 2002. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

---. “'We Would Not Have Come Without You': Generations of Nostalgia.”   American Imago 59.3 (2002): 253. Project Muse 2006.11.26.

---. Testimonial Objects: Memory, Gender, and Transmission. Vol. 27. Duke University Press, 2006. Academic Search Elite 2006.11.26.

Hirsch, Marianne, and Lynn Higgins. “A Conversation with Christiane Rochefort.”  L’Esprit Createur XIX.2 (1979): 107-120. < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

Hirsch, Marianne, and Martha Kuhlman. “Marianne Hirsch on Maus in the Academy.”  Indy Magazine (Spring 2005). < http://www.columbia.edu/ ~mh2349/publications.html >. Google 2006.11.26.

Hirsch, Marianne, and Mary Ann Caws, et al. “Ecritures De Femmes: Nouvelles Cartographies.”   The French Review 71.5 (1998): 859. ArticleFirst 2006.11.26.

Hirsch, Marianne, and Michel Butor. “An Interview with Michel Butor.”   Contemporary Literature 19.3, After the Nouveau Roman: Opinions and Polemics (1978): 262-79. JSTOR 2006.11.26.

Hirsch, Marianne, and Susan Fraiman. “Unbecoming Women: British Women Writers and the Novel of Development.”   Novel; a forum on fiction 29.2 (1996): 250. ArticleFirst 2006.11.26.

Hirsch, Marianne, and Susan Rubin Suleiman. “Material Memory : Holocaust Testimony In Post-Holocaust Art.”   Image and Remembrance : Representation and the Holocaust. Ed. Shelley Hornstein and Florence Jacobowitz.. Bloomington: Indiana University Press, 2003. WorldCat 2006.11.26.

Hirsch, Marianne, and Valerie Smith. “Feminism and Cultural Memory: An Introduction.”   Signs 28.1, Gender and Cultural Memory (2002): 1-19. JSTOR 2006.11.26.

Hirsch, Marianne, C. Gaudin, L. Higgins, M.J. Green, et al. Feminist Readings: French Texts/American Contexts. Special Issue of Yale French Studies Issue 62, 1982. < http://www.columbia.edu/~mh2349/publications.html >. Google 2006.11.26.

Hirsch, Marianne, ed. The Familial Gaze. Hanover and London: University Press of New England, 1999.

Hirsch, Marianne, Elizabeth Abel and Elizabeth Langland. The Voyage In: Fictions of Female Development. Hanover, NH: Published for Dartmouth College by University Press of New England, 1983. UVic Main Catalogue 2006.11.26.

Hirsch, Marianne, Irene Kacandes, and Astrid Klocke. “Book Reviews - Teaching the Representation of the Holocaust.”   German studies review 29.2 (2006): 467. ArticleFirst 2006.11.26.

Hirsch, Marianne, Jay Clayton, and Karen Newman. Time and the Literary. New York: Routledge, 2002. UVic Main Catalogue 2006.11.26.

Hirsch, Marianne, Mary Jean Green, and Lynn Higgins. “Rochefort and Godard: Two Or Three Things about Prostitution.”   The French Review 52.3 (1979): 440-8. JSTOR 2006.11.26.

Hirsch, Marianne, Wayne Johnson Pond, et al. Visual Cultures. Sound Recording. National Humanities Center, 1993. WorldCat 2006.11.26.

Historia gráfica de México, 10 vols. Mexico City: Editorial Patria-INAH, 1988.

Hiver '60. Screenwriter Jean-Louis Comolli. 1982. Google 2007.05.12.

Hoffman, Michael J., and Patrick D. Murphy. Essentials of the Theory of Fiction. 3rd ed. Durham, N.C: Duke University Press, 2005. WorldCat 2006.10.12.

Hoffmann, Heinrich. Struwwelpeter. New York: Dover Publications, 1995.
Holderlin, Friedrich, Walter Benjamin, and Beatrice Hanssen. ““Dichtermut” and “Blodigkeit”: Two Poems by Holderlin Interpreted by Walter Benjamin.” MLN 112.5, Comparative Literature Issue (1997): 786-816. JStor 2007.01.16.

Holly, Michael Ann, and Keith Moxey, eds. Art History, Aesthetics, Visual Studies. Williamstown, MA: Clark Studies in the Visual Arts, 2002.

Holmes, Oliver W., “Doings of the Sunbeam” (1863], in Photography: Essays and Images, ed. Beaumont Newhall (New York, 1980), pp. 63—78.

---. “Sun Painting and Sun Sculpture”, The Atlantic Month4’. viii (July 1861), pp. 13—29.

---. “The Stereoscope and the Stereograph” [1859], in Photography: Essays and Images, ed. Beaumont Newhall (New York, 1980), pp. 53—62.

Homar, Lorenzo. Abrapalabra: la letra mágica: carteles, 1951-1999. Río Piedras: Museo de Historia, Antropología y Arte, Universidad de Puerto Rico, 2000.

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Hooks, Margaret. “En el nombre de las rosas”. Luna Córnea. 13 (sep-dic 1997): 106-107.

---. “Recuerdos de inocencia”. Luna Córnea. 9 (1996):

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