This page was last modified on March 24, 2010
Nadolny, Susanne. Elsa Triolet : Il n'y a Pas d'Amour Heureux : Eine Biografische Und Literarische Collage. Dortmund: Edition Ebersbach, 2000. WorldCat 2007.01.24.
Naef, Weston J., and James N. Wood. Era of Exploration: the Rise of Landscape Photography in the American West (New York, 1976).
Nancy, Jean-Luc and Agnès Sire. An Inner Silence: The portraits of Henri Cartier-Bresson. New York:Thames and Hudson, 2006. Entry from wikipedia.com. Google 2007.02.12.
Nancy, Jean-Luc, and Philippe Lacoue-Labarthe, The Literary Absolute: The Theory of Literature in German Romanticism (1980], trans. Philip Barnard and Cheryl Lester (Albany, NV, 1988).
Nath, Amin. Jaipur: The Last Destination. Bombay: India Bookhouse, 1993.
Natividad Rosales, José. “La noche más noche”. Luna Córnea. 26 (2003): 276-283.
Nava, Carmen e Isabel Fernández. “Huesos ilustres” Luna Córnea. 13 (sep-dic 1997): 86-99.
Navarrete, José Antonio. “Nueve meses en la vida de Nacho López”. Luna Córnea. 31 (2007):
Navarro, Desiderio. “In Medias Res Publicas: On Intellectuals and Social Criticism in the Cuban Public Sphere”. boundary 2 29 (2002): 187-203. <http://boundary2.dukejournals.org/>
Negra, Diane. “Immigrant Stardom in Imperial America: Pola Negri and the Problem of Typology”. Camera Obscura 16 (2001): 159-195. <http://cameraobscura.dukejournals.org/>
Negrete, Claudia. “Pictorialismo y fotografía: Alex Phillips en los años treinta”. Luna Córnea. 24 (2002):
Neleman, Hans, Ana Castillo, Laura Asturias, A.D. Coleman and George Pitts. Night Chicas. New York: Graphis, 2002. WorldCat 2007.05.13.
Nelson, Robert S. “The Map of Art History.” Art Bulletin 79.1 (1997): 28-40.
Nericcio, William Anthony. “Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporiuim”. Camera Obscura 13 (1996): 187-237. <http://cameraobscura.dukejournals.org/>
Newhall, Beaumont, and Joan Fontcuberta. Historia de la fotografía: Desde sus orígenes hasta nuestros días. Barcelona: Gustavo Gili, 1983. GoogleScholar 2007.05.15.
Newhall, Beaumont, Latent Image: The Discovery of Photography (New York, 1966).
Newhall, Beaumont. The History of Photography: from 1839 to the Present Day. New York: Museum of Modern Art, 1997.
Newhall, Beaumont, ed., Photography: Essays and Images (New York, 1980).
Newhouse, Victoria, and James Elkins. “Nonfiction - ART AND THE POWER OF PLACEMENT.” The New York Times Book Review (2005): 22. ArticleFirst 2006.10.17.
Nickel, Douglas, Dreaming in Pictures: The Photography of Lewis Carroll (New Haven, CT, 2002).
Nitke, Barbara and A.D. Coleman. Kiss of Fire : A Romantic View of Sadomasochism. Heidelberg: Kehrer, 2003. WorldCat 2007.05.13.
No Oyes Ladrar Los Perros? Dir. Sánchez, Salvador, Ahui Camacho, Ana de Sade, François Reichenbach, et al. 1 videocassette. Estrella Videos, 1987. WorldCat 2006.10.20.
Nobert, Gerda Breuer, Neil Cummings, and Gisela Ecker. The Ecstasy of Things. Steidl, Fotomuseum Winterthur, Museo Fotografia Contemporanea, Cinisello Balsamo, 2005. Amazon.com 2007.05.14.
Noble, Andrea. Tina Modotti: Image, Texture, Photography. Albuquerque: University of New Mexico Press, 2001.
Nochlin, Linda. The Body in Pieces. The Fragment as a Metaphor of Modernity. New York: Thames and Hudson, 1994
Nouhaud, Dorita. "De noche no todos los gatos." Imprevue 2 (1987): 187-200. MLA International Bibliography. 2006.10.23.
Nouzeilles, Gabriela y Graciela Montaldo. The Argentina Reader: History, Culture, Politics. Durham and London: Duke University Press, 2002.
Novo, Salvador. “Mi lucha (libre)”. Luna Córnea. 27 (2004):
---. La nueva grandeza mexicana. Mexico City: Editorial Hermes, 194ó.
Nuit Et Brouillard & Le Retour. Dir. Cartier-Bresson, Henri, Alain Resnais, and Henri Michel, et al. 1 videocassette (67 min.). Tamarelle's French Film House, 1980-1983. WorldCat 2007.01.24.