This page was last modified on March 24, 2010
Pacheco, José Emilio. “El emperador de los Asirios”. Luna Córnea. 11 (ene-abr 1997): 56-61.
---. “La última ciudad”. Luna Córnea. 8 (1995): 41-48.
Page, Joanna. Crisis and Capitalism in Contemporary Argentine Cinema. Durham and London: Duke University Press, 2009.
Païni, Dominique, and Michel Frizot. Photographie sculpture. Marval, 2000. Amazon.com 2007.05.16.
Palmer, Steven e Iván Molina. The Costa Rica Reader: History, Culture, Politics. Durham and London: Duke University Press, 2004.
Panofsky, Erwin, Helmut Grensheim et al. Study Photographs of Flemish Paintings and Drawings (Post-1600, Pre-1800)., 1900-1999. <http://www.getty.edu/research/tools/psc/; http://www.getty.edu/research/tools/psc/>. WorldCat 2007.09.02.
Paoletti, John T. and Victor Burgin. The Critical Eye. New Haven, Conn: The Center, 1984. UVic Main Catalogue 2007.01.23.
Parker, Holt N. “Love's Body Anatomized: The Ancient Erotic Handbooks and the Rhetoric of Sexuality.” In Pornography and Representation in Greece and Rome. Ed. Amy Richlin. London: Oxford University Press, 1992, 90-111.
Parodi, Cristina. “Ficción y realidad en La novela de Perón de Tomás Eloy Martínez.” Nuevo Texto Critico 4.8 (1991): 39 – 43.
Parr, Martin, and Gerry Badger, The Photobook: a History, vols I and II. (New York, 2004/2006).
---. The Photobook: A History., Vol. 1. London: Phaidon, 2004.
Partie De Campagne A Day in the Country. Dir. de Guy Maupassan, et al. 1 videodisc (34 + 42 min.). British Film Institute, 2003. WorldCat 2007.01.24.
Payro, Roberto J. La Australia argentina. Buenos Aires: Centro Editor de América Latina, 1982.
Paz, Octavio. “Cara al tiempo”. Luna Córnea. 1 (1992-1993): 14-17.
---. “El signo y el garabato.” El signo y el garabato. México: Joaquín Mortiz, 1973, 200-206.
---. El laberinto de la soledad. 1950. México: Fondo de Cultura Económica, 1986.
---. The Labyrinth of Solitude and Other Writings. 1902. Trans. Lysander Kemp, Yara Milos, and Rachel Phillips Belash. New York: Grove Press, 1985.
Paz-Soldán, Edmundo, and Debra Castillo, eds. Latin American Literature and Mass Media. New York and London: Garland Publishing, 2001, 117-138.
Pedri, Nancy. “Documenting the Fictions of Reality”. Poetics Today 29 (2008): 155-173. <http://poeticstoday.dukejournals.org/>
Pedro Páramo. Dir. Carlos Velo, Manuel Barbachano, John Gavin, Ignacio López Tarso, Ponce, Pilar Pellicer, Juan Rulfo. Clasa Films Mundiales, et al. 1 videodisc (ca. 105 min.). Alter Films; Televisa, 2005. WorldCat 2006.10.20.
Pedro Páramo. Dir. Rulfo, Juan. Distrimax, 2000. 1 videocassette (104 min.). WorldCat 2006.10.25
Peña, Alejandrina. “F2.8: La vida en el instante”. Luna Córnea. 26 (2003): 38-41.
Peñaloza Méndez, Ernesto. “De luces y sombras”. Luna Córnea. 32 (2007):
Pepper, William. “The Children of Vietnam.”Ramparts. The National Catholic Journal. 5.7 (January 1967): 44-68.
Pérez de Mendiola, Marina. “Mexican Contemporary Photography: Staging Ethnicity and Citizenship.” boundary 2 31,3 (2004): 125-53.
Pérez Martín, Norma. “Dos novelas `patagónicas' en la narrativa argentina actual: Fuegia y El rey de Patagonia.” Alba de America 15. 28–29 (July 1997): 142–47.
Pérez Montfort, Ricardo. “Charros y chinas poblanas”. Luna Córnea. 13 (sep-dic 1997): 42-47.
---. Avatares del nacionalismo cultural: cinco ensayos. Mexico City: CIESAS, 2000.
Pérez, José Raúl. “Deriva en el Tarot”. Luna Córnea. 10 (sep-dic1996): 72-75.
Pérez, Laura E. Chicana Art: The Politics of Spiritual and Aesthetic Altarities. Durham and London: Duke University Press, 2007.
Perkowska-Álvarez, Magdalena. “La negociación del espacio de la mujer en la historia en Tinísima de Elena Poniatowska.” Estudios 5,10 (1997): 193-215.
Pessar, Patricia R. From Fanatics to Folk: Brazilian Millenarianism and Popular Culture. Durham and London: Duke University Press, 2004.
Peterson, Jeanette Favrot. “The Word Made Image: Religion, Art, and Architecture in Spain and Spanish America, 1500-1600”. Hispanic American Historical Review 80 (2000): 580-582. <http://hahr.dukejournals.org/>
Pfeffer, Arthur S., and James A. W. Heffernan. “Wordsworth on Imagination.” PMLA 84.1 (1969): 141-6. JStor 2007.11.11.
Phillips, Christopher. “La fotografía en el banquillo de los acusados”. Luna Córnea. 23 (2002): 110-129.
---. “The Judgment Seat of Photography”, in The Contest of Meaning: Critical Histories of Photography, ed. Richard Bolton (Cambridge, 1989), pp. 15—46.
---. Photography in the Modern Era: European Documents and Critical Writings, 1913—1940 (New York, 1989), pp. 15—46.
Phillips, Ruth B., and Christopher B. Steiner, eds. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. Berkeley: University of California Press,1999.
“Photo Essays Hope Reclaimed: South African Elections May 1994 Refuge Refused: Haitians, Borders and Democracy”. Public Culture 7 (1994): 95-105. <http://publicculture.dukejournals.org/>
Photography as Art. Dir. Macmillan, Tim, Catherine Opie, Suky Best, Alison Jackson. Caroline Molloy, Man Ray, Cindy Sherman, Bill Brandt, Henri Cartier-Bresson. 1 videodisc (29 min.). Films for the Humanities & Sciences, 2002. WorldCat 2007.01.24.
Photography Critical Dilemmas of the 80's. San Francisco Camerawork, 1982. WorldCat 2007.05.13.
Photography Transformed, 1960-1999. Dir. Hovde, Ellen, Muffie Meyer, Vicki Goldberg, et al. American photography,a century of images, KTCA-TV (Television station : Saint Paul, Minn.), et al. 1 videocassette (ca. 60 min.). PBS Video, 1999. WorldCat 2007.09.09.
Pichardo Arzate, F. "Casa en llamas." Manglar (jul-sep. 1987). Clase Periódica 2006.10.20
Picón Garfield, Evelyn. Cortázar por Cortázar. Xalapa, Méx.: Universidad Veracruzana, 1978.
---. ¿Es Julio Cortázar un surrealista? Editorial Gredos, Madrid, 1975.
Pierson, Jack, et al. "Once Under the Palms. People had Time to Remember Their Dreams and They Still Do. The Palms Are Still There, Whispering; To Each Person a Route Will Reveal Itself.” Interview XXIII.2 (1993): 128. Academic Search Elite 2007.01.23.
Pieyre de Mandiargues, André, Henri Cartier-Bresson, and Ferdinando Scianna. Henri Cartier-Bresson : Portraits. London: Collins, 1984. UVic Main Catalogue 2007.01.23.
Pilcher, Jeffrey M. “Historia de la Ciudad de Mexico en los fines de siglo (XV-XX)”. Hispanic American Historical Review 84 (2004): 513-514. <http://hahr.dukejournals.org/>
Pinn, Anthony B. y Benjamín Valentín. Creating Ourselves: African Americans and Hispanic Americans on Popular Culture and Religious Expression. Durham and London: Duke University Press, 2009.
Pinney, Christopher, and Nicolas Peterson, eds. Photography's Other Histories. Durham, NC: Duke University Press, 2003.
Plasseraud, Emmanuel, Jean-Louis Leutrat, and Georges Didi-Huberman. Arrêts Sur Montages1: Entre Les Images. Toulouse: Cinergon, 1996.
Plein Sud. Screenwriter Jean-Louis Comolli. 1980. Google 2007.05.12.
Poivert, Michel, ‘Politique de l’éclair. André Breton et Ia photographie’, Etudes photographiques, vii (May 2000), pp. 52—72.
Polemis, Cindy. “The Colour of War.” Creative Camera (1982): 356-358.
Poma de Ayala, Felipe Guaman. El primer nueva corónica y buen gobierno. Eds. John Murra and Rolena Adorno. 3 vols. México: Siglo XXI,1980.
Poniatovska, Elena. “Bailes y balas”. Luna Córnea. 8 (1995): 19-26.
---. “El sueño es blanco y negro”. Luna Córnea. 1 (1992-1993): 31-39.
---. “Some Women Photographers of Mexico.” In Compañeras de México: Women Photograph Women. Ed. Amy Conger. Riverside, CA: University Art Gallery, Regents of the University of California, 1990, 43-55.
---. “Some Women Photographers of Mexico/Algunas fotógrafas de México.”In Conger, Compañeras de Mexico, 43-55.
---. El último guajolote: memoria y olvido; imágenes de México. Mexico City: Secretaria de Educación Pública, 1982.
---. Fuerte es el silencio. Mexico City: Era, 1981.
---. Hasta no verte Jesús mío. Mexico City: Era, 1969.
---. La noche de Tlatelolco. Mexico City: Era, 1971.
---. Las soldaderas. Mexico City: Era, 1999.
---. Luz y luna: las lunitas. Photos Graciela Iturbide. Mexico City: Era, 1994.
---. Massacre in Mexico. Trans. Helen Lane. New York: Viking, 1975.
---. Nada, nadie: las voces del temblor. Mexico City: Era, 1988.
---. Querido Diego, te abraza Quiela. Mexico City: Era, 1978.
---. Tina Modotti and the Mexican Renaissance. Intro. Sam Stourdze. Essays Patricia Albers and Karen Cordero Reinman. Paris: Jean-Michel Place, 2000.
---. Tinísima. Mexico City: Era, 1992.
Poniatowska, Elena, and Graciela Iturbide. Juchitán de las mujeres. Mexico City: Ediciones Toledo, 1989.
Ponte, Ramón. “Imagenlogía”. Luna Córnea. 21-22 (2001): 54-59.
Poole, Deborah. “An Image of "Our Indian": Type Photographs and Racial Sentiments in Oaxaca, 1920-1940”. Hispanic American Historical Review 84 (2004): 37-82. <http://hahr.dukejournals.org/>
---. “Figueroa Aznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth-Century Peru.” In Photography's Other Histories. Ed. Christopher Pinney and Nicolas Peterson. Durham, NC: Duke University Press, 2003, 173-201.
---. Vision, Race, and Modernity: A Visual Economy of the Andean Image World. Princeton, NJ: Princeton University Press, 1997.
Porter, Eliot, and William Albert Allard, Brian Lanker, Henri Cartier-Bresson. Images of Man, 2. Englewood, N.J.: Scholastic Magazines in Cooperation with International Fund for Concerned Photography; Released by Scholastic Magazines, 1973. WorldCat 2007.01.24.
Postman, Neil. Amusing Ourselves to Death. New York: Penguin Books, 1985.
Potonniée, Georges, Cent ans dephotographie (Paris, 1940).
Poupeye, Veerle. “What Times Are These? Visual Art and Social Crisis in Postcolonial Jamaica”. Small Axe 13 (2009): 164-184. <http://smallaxe.dukejournals.org/>
Powell, Richard J. “The Picturesque, Miss Nottage and the Caribbean Sublime”. Small Axe 12 (2008): 157-168. <http://smallaxe.dukejournals.org/>
Pratt, Mary Louise. “Des-escribir a Pinochet: desbaratando la cultura del miedo en Chile.” In Creación y resistencia: la narrativa de Diamela Eltit, 1983-1998. Ed. Maria Ines Lagos. Nomadías / Serie Monográfica. Santiago, Chile: Cuarto Propio, 2000, 17-32.
---. Imperial Eyes. Travel Writing and Transculturation. London and New York, Routledge, 1992.
Preminger, Alex and T.V.F. Brogan, Eds. The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N.J.: Princeton U P, 1993.
Prendergast, Christopher. The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert.
Price, Derrick, “Surveyors and Surveyed: Photography out and about.” In Photography:
Price, Mary. The Photograph: A Strange, Confined Space. Stanford, CA: Stanford University Press, 1994.
Public 1. Winter 1988. European Graduate School Website <www.egs.edu/faculty/victorburgin.html>. Google 2007.01.23.
Pugliese, Joseph. “Biometrics, Infrastructural Whiteness, and the Racialized Zero Degree of Nonrepresentation”. boundary 2 34 (2007): 105-133. <http://boundary2.dukejournals.org/>
Pultz, John. The Body and the Lens: Photography 1839 to the Present. London: Harry N. Abrams, 1995.