Bibliography - Literature & Photography

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This page was last modified on March 24, 2010

 

J

 

Jackson, Tonina. “La leyenda de Jack O’Brien”. Luna Córnea. 27 (2004):

Jackson, William Henry, Time Exposure [1940] (Albuquerque, NM, 1986).

Jacobsen, Michael A., and E.H. Gombrich. A Teacher's Manual for use with the Story of Art by E. H. Gombrich, Twelfth Edition, Revised and Enlarged. 12th ed., rev. and enl ed. New York: Praeger, 1972. WorldCat 2007.09.18.

Jacobsen, Michael, and E.H. Gombrich. A Teacher's Manual for use with the Story of Art by E.H. Gombrich, 12th Edition, Revised and Enlarged. New York: Praeger, 1972. WorldCat 2007.09.18.

---. Multiple Choice Questions to Supplement the Story of Art by E.H. Gombrich, 12th Ed., Rev. and Enlarged. New York: Praeger, 1972. WorldCat 2007.09.18.

Jaguaribe, Beatriz y Lissovsky, Mauricio. “The Visible and the Invisibles: Photography and Social Imaginaries in Brazil”. Public Culture 21 (2009): 175-209. <http://publicculture.dukejournals.org/>

Jameson, Frederick, The Political Unconscious: Narrative as a Socially Symbolic Act (Ithaca, NY, 1981).

---. Signatures of the Visible. New York: Routledge, 1992.

Jammes, André. “El ojo y el espíritu”. Luna Córnea. 3 (1993): 41-47.

Jammes, André, and Eugenia Parry Janis, The Art of French Calotype. with a Critical Dictionary of Photographers, 1845—1870 (Princeton, NJ, 1983).

Jammes, Isabelle, Blanquart.Evrard et les origines de l’édition photographique francaise (Geneva and Paris, 1981).

Janouch, Gustav. “La metamorfosis de la mirada”. Luna Córnea. 3 (1993): 77-78.

Jara, René. Farabeuf: Estrategias de la inscripción narrativa. Xalapa, Ver.:Universidad Veracruzana, 1982.

Jay, B. Photographers Photographed. 1st ed. Salt Lake City: Peregrine Smith Books, 1983. WorldCat 2007.09.02.

Jay, Bill. “En los ojos de los muertos”. Luna Córnea. 10 (sep-dic1996): 84-91.

Jay. Martin. Downcast Eyes. The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1994.

Jean-Louis Comolli and J Narboni, “Cinema/Ideologie/Critique” Cahiers du cinéma, (Oct/Nov 1969). Paris. Google 2007.05.12.

Jeffrey, Ian, ed. The Photo Book.  London: Phaidon, 1997.

Jelin, Elizabeth. State Repression and the Labors of Memory. Trans. Judy Rein and Marcial Godoy‑ Anativia. Contradicions. 18. Minneapolis: University of Minnesota Press, 2003.

Jenks, Chris, ed. Visual Culture. New York: Routledge, 1995.

Jennings, Michael, ‘Agriculture, Industry, and the Birth of the Photo-Essay in the late Weimar Republic’, October, XCIII (Summer 2000), pp. 23—56.

Jiménez Román, Miriam y Juan Flores. The Afro-Latin@ Reader: History and Culture in the United States. Durham and London: Duke University Press, 2010.

Jiménez, Blanca, and Samuel Villela. Los Salmerón: un siglo de fotografía en Guerrero. Mexico City: INAH, 1998.

Jíménez, Luis Felipe. “Microscopía”. Luna Córnea. 21-22 (2001): 224-228.

Jiménez, Orlando. “Freak llama freak”. Luna Córnea. 30 (2005): 194-208.

---. “La Parka Reloaded”. Luna Córnea. 27 (2004):

---. “Los archivos secretos del murciélago Velázquez”. Luna Córnea. 27 (2004):

Jiménez, Víctor. “Rulfo. Andanzas por el cine”. Luna Córnea. 24 (2002):

---. Juan Rulfo : Letras e imágenes. 1.th ed. Mexico, D.F: Editorial RM, 2002. WorldCat 2006.10.20.

Jones, Amelie. “Tracing the Subject with Cindy Sherman.” Cindy Sherman Retrospective. New York: Thames & Hudson, 1997, 33-53.

Jones, Caroline A., Peter Galison, and James Elkins. “BOOK REVIEWS - GENERAL - Picturing Science, Producing Art.” Isis 91.2 (2000): 318. ArticleFirst 2006.10.17.

Jones, Julie. A Common Place: The Representation of Paris in Spanish American Fiction 1963–1982. Lewisburg, PA: Bucknell University Press, 1998.

Jones, Kellie. “In Their Own Image (Black Women Artists Who Combine Text with Photography).” Artforum 29 (November 1990): 132-38.

Johnson, James, et al. [Sampler, 1987-1988]. Boulder, Colorado: University of Colorado, Academic Media Services, 2006.

Jorgensen, Beth. The Writing of Elena Poniatowska: Engaging Dialogues. Austin: University of Texas Press, 1994.

Joseph, Gilbert M. and Timothy J. Henderson. The Mexico Reader: History, Culture, Politics. Durham and London: Duke University Press, 2003.

Joseph, Gilbert M., Anne Rubenstein and Eric Zolov. Fragments of a Golden Age: The Politics of Culture in Mexico Since 1940. Durham and London: Duke University Press, 2001.

Joset, Jacques. "Los murmullos de las piedras. Juan Rulfo: Texto e imagen." Literatura y transgresión. 169-184. Amsterdam, Netherlands: Rodopi, 2004. MLA International Bibliography. 2006.10.23.

Joyeux, Odette, Niêpce, Le Troisiême Eil (Paris, 1989).

Juan Rulfo - Página oficial. 2001. <http://www.clubcultura.com/ clubliteratura/ clubescritores/ juanrulfo/>. WebCat 2006.10.20

Juan-Navarro, Santiago. Archival Reflections: Postmodern Fiction of the Americas (Self- Reflexivity, Historical Revisionism, Utopia). Lewisburg, PA: Bucknell University Press, 1999.

Junger, Ernst, Walter Benjamin, and Jerolf Wikoff. “Theories of German Fascism: On the Collection of Essays War and Warrior, Edited by Ernst Junger.” New German Critique.17, Special Walter Benjamin Issue (1979): 120-8. JStor 2007.01.16.

Jussim, Estelle, Visual Communication and the Graphic Arts: Photographic Technologies in the Nineteenth Century (New York, 1974).

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