Bibliography - Literature & Photography

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Saborit, Antonio. “Imágenes de una década”. Luna Córnea. 8 (1995): 27-31.

Sacabo & Rulfo:  Homage to Juan Rulfo's Pedro Páramo in Photoworks by Josephine Sacabo. Dir. Todd, Connie Clare, Fernando Curiel, Miguel Gonzalez-Gerth, et al. 1 videocassette (71 min.). Southwest Texas State University, 2002. WorldCat 2006.10.20.

Sada, Guadalupe. “Una experiencia personal” (Reseña). Luna Córnea. 3 (1993): 125-127.

Saer, Juan José. “La literatura y los nuevos lenguajes.” Fernández Moreno, César, ed. América Latina en siu literatura [1972]. México: Siglo Veintiuno Editores y Unesco, 1998, 301-316.

Said, Edward. Orientalism. New York: Vintage Books, 1978.

Saiga, Yuji. “Gunkanjima, 1974-1994”. Luna Córnea. 19 (2000): 102-103.

Salgado, Sebastião. An Uncertain Grace. Text Eduardo Galeano and Fred Ritchin. New York: Aperture; San Francisco: San Francisco Museum of Modern Art, 1990.

---. Exodos. São Paulo: Companhia das Letras, 2000.

---. Exodus: Migrations against All Odds. New York: Aperture, 2001.

---. India, Mexico: vientos paralelos. Photos Salgado, Graciela Iturbide, and Raghu Rai. Prologue Jean-Claude Carrière. Mexico City: Antiguo Colegio de San Ildefonso, DGE Ediciones, 2002.

---.Migrations: Humanity in Transition. New York: Aperture, 2000.

---. Other Americas. Intro. Alan Riding. New York: Pantheon, 1986.

---. Sahel: 1'Homme en Detresse. Intro. Jean Lacouture. Text Xavier Emmanuelli. Paris: Prisma for Medecins sans Frontières, 1986.

---. Sebastião Salgado. Intro. Christian Caujolle. Paris: Centre National de la Photographie,1993.

---. Terra: Struggle of the Landless. Preface José Saramago. Poetry Chico Buarque. London: Phaidon, 1997.

---. The Children: Refugees and Migrants. New York: Aperture, 2000.

---. The End of Polio: A Global Effort to End a Disease. Forward Kofi  A. Annan. Boston: Bulfinch, 2003.

---. Workers: An Archaeology of the Industrial Age. New York: Aperture; Philadelphia: Philadelphia Museum of Art, 1993.

Salgado, Sebastião, Eduardo Galeano, and Fred Ritchin. An Uncertain Grace. NY: Aperture; San Francisco: San Francisco Museum of Modern Art, 1990.

Salin, Dominique, and Roland Barthes. "Carnets d'Etudes - Livres - Notes De Lecture - (OE Digraph)Uvres Complètes." Etudes 399.6 (2003): 690. ArticleFirst 2006.10.08.

Salomon, Frank. The Cord Keepers: Khipus and Cultural Life in a Peruvian Village. Durham and London: Duke University Press, 2004.

Samoilovich, Daniel. “Pentimiento”. Luna Córnea. 23 (2002): 184-187.

Samore, Samore. “Painting Cinema”. Luna Córnea. 18 (1999): 118-121.

Sampson, Gary D., and Eleanor M. Hight, eds. Colonialist Photography: Imagining Race and Place. London: Routledge, 2002.

Samuels, Rafael. Theatres of Memory. London: Verso, 1994.

Sánchez Calleja, Ma. Eugenia. “Meretrices adolescentes”. Luna Córnea. 9 (1996):

Sánchez, Osvaldo. “Irving Penn: La construcción del modelo”. Luna Córnea. 5 (1994):

---.“Las prendas de Albert Chong”. Luna Córnea. 10 (sep-dic1996): 80-83.

---.“Lejos de la geografía, después de la historia”. Luna Córnea. 7 (1997): 59-63.

Sandweiss, Martha, Print the Legend: Photography and the American West (New Haven, CT, 2002).

Sanguinetti, Alessandra. “En el sexto día”. Luna Córnea. 20 (2000): 96-101.

Sarduy, Severo. “Escrito sobre un cuerpo.” Obra completa  II.  Gustavo Guerrero y François Wahl, coord. Nanterre: ALLCA XX, 1999, 1119-1137.

Sarfati-Arnaud, Monique. "El otro mundo en blanco y negro de Juan Rulfo." Revista Canadiense de Estudios Hispánicos 22.2 (1998): 381-396. MLA International Bibliography. 2006.10.23.

Sarkis, et al. "Au Commencement, Le Toucher" : Une Exposition En Trois Lieux Présentée Du 9 Novembre 2005 Au 5 Février 2006 Au Frac Alsace/Sélestat, à La Chapelle Saint-Quirin/Sélestat, Au Musée d'Unterlinden/Colmar. Paris: Archibooks, 2007.

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Sarlo, Beatriz. “Raymond Williams: una relectura.” Punto de Vista 45 (1993): 12-15.

---. “Retomar el debate.” Punto de Vista 55 (199ó): 38-42.

---.Escenas de la vida posmoderna: intelectuales, arte y videocultura en la Argentina. Buenos Aires: Ariel, 1994.

---.La imaginación técnica. Sueños modernos de la cultura argentina. Buenos Aires: Ediciones Nueva Visión, 1992.

Sarmiento, Domingo. Facundo, o civilización y barbarie. 1845. Caracas: Ayacucho, 1977.

Sartre, Jean-Paul, L’Imaginaire (Paris, 1940).

Saunders, Frances Stonor. The Cultural Cold War: The CIA and the World of Arts and Letters. New York: The Free Press, 1999.

Savic, Obrad, and Beogradski krug. The Politics of Human Rights. London ; New York: Verso, 1999. WorldCat 2006.12.03.

Sazbón, José, and.Roland Barthes. Estructuralismo y literatura. Buenos Aires: Ediciones Nueva Visión, 1970. WorldCat 2006.10.12.

Scarry. Elaine, The Body in Pain. The Making and Unmaking of the World. Oxford: Oxford UP, 1985.

Schaaf, Larry, Out of the Shadows: Herschel, Talbot, and the Invention of Photography (New Haven, CT, and London, 1992).

Schaaf, Larry, Records of the Dawn of Photography: Talbot’s Notebooks p & (Cambridge and Melbourne, 1996).

---.The Photographic Art of William Henry Fox Talbot (Princeton, NJ, 2000).

---.Introductory Volume to the Anniversary Facsimile of H. Fox Talbot’s “The Pencil of Nature” (New York, 1989).

Schama, Simon, and Cy Twombly, et al. Cy Twombly : Fifty Years of Works on Paper. 2nd ed., Rev. and expand ed. Munich; New York: Schirmer/Mosel; Distributed in the U.S. and Canada by DAP/Distributed Art Publishers, 2004. WorldCat 2006.10.12.

Schapiro, Meyer, H. W. Janson, and E. H. Gombrich. “Criteria of Periodization in the History of European Art.” New Literary History 1.2, A Symposium on Periods (1970): 113-25. <http://links.jstor.org.ezproxy.library.uvic.ca/sici?sici=0028-6087%28197024%291%3A2%3C113%3ACOPITH%3E2.0.CO%3B2-J>. JStor 2007.09.17.

Scharf, Aaron, Art and Photography (Baltimore, MD, 1969).

Scheinman, Pamela. “Foto-escultura’. Luna Córnea. 9 (1996):

Schmelz, Itala. “A real thing!”. Luna Córnea. 25 (2002):

---.“Coming soon…”. Luna Córnea. 19 (2000): 132-147.

---.“Del asombroso descenso”. Luna Córnea. 12 (may-ago 1997):

---.“El otro infinito”. Luna Córnea. 21-22 (2001): 186-190.

---.“La presencia imprevisible del misterio”. Luna Córnea. 10 (sep-dic1996): 114-117.

---.“Las edecanes del mal”. Luna Córnea. 27 (2004):

---.“México 68: El fuego nuevo”. Luna Córnea. 16 (sep-dic 1998): 130-139.

---.“Siqueiros: bocetos fotográficos”. Luna Córnea. 4 (1994): 86-88.

Schmelz. Esteban. “La omi”. Luna Córnea. 21-22 (2001): 74-77.

Schmidt, Bastienne, Hans-Georg Pospischil, Vicki Goldberg. American Dreams. Kilchberg, Zurich: Edition Stemmle, 1997. WorldCat 2007.09.09.

Schoonmaker, Trevor. Street Level: Mark Bradford, William Cordova & Robin Rhode. Durham and London: Duke University Press, 2007.

Schor, Juliet and Douglas B. Holt. The Consumer Society Reader. New York, NY: New Press, 2000. WorldCat 2006.12.03.

Schuessler, Michael K. Elenísima: ingenio y figura de Elena Poniatowska. Intro. Carlos Fuentes. Mexico City: Diana, 2003.

Schulte, Gerhard, and Walter Benjamin. “Walter Benjamin's “Lichtenberg”.” Performing Arts Journal 14.3 (1992): 33-6. JStor 2007.01.16.

Schulze, John, Steven Klindt and A.D. Coleman. John Schulze: In Search of the Elusive Shadow: A Retrospective Exhibition of Photographs. Chicago: Columbia College, 1985. WorldCat 2007.05.13.

Schwarm, Larry. On Fire. Durham and London: Duke University Press, 2003.

Schwartz, Hillel. The Culture of the Copy. New York: Zone Books, 1996.

Schwartz, Marcy. “Cortázar under Exposure: Photography and Fiction in the City.” In Beyond the Lettered City: Latin American Literature and Mass Media. Eds. Debra Castillo and Jose Edmundo Paz-Soldan. New York: Garland, 2000,117–38.

---. Writing Paris: Urban Topographies of Desire in Contemporary Latin American Fiction. Albany, NY: State University of New York Press, 1999.

Schwoch, James. “Manaus: Television from the Borderless”. Public Culture 7 (1995): 455-464. <http://publicculture.dukejournals.org/>

Sederholm, Nina and A.D. Coleman. Spine. 1st ed. Staten Island: Coda Enterprises, 2000. <http://www.nearbycafe.com/gallery/spine/>. WorldCat 2007.05.13.

Segre, Eric. “Reframing the City: Images of Displacement in Mexican Urban Films of the 1940s and 1950s.” Journal of Latin American Cultural Studies 10.2 (August 2001): 205.222. GoogleScholar 2006.10.24

Seifrid, Thomas, ‘Gazing on Life’s Page: Perspectival Vision in Tolstoy’, PMLA, CXm/3 (May, 1998), pp. 436—48.

Sekula, Alan, ‘On the Invention of Photographic Meaning’ 119751, ifl Photography in Print Writings from 1816 to the Present, ed. Vicki Goldberg (New York, 198,), pp. 452—73.

Seo, Yoon Bong. “Juan Rulfo, escritor y fotógrafo: dos artes en conjunction.” Sincronía (Primavera 2000). Universidad de Guadalajara. <http://fuentes.csh.udg.mx/CUCSH/ Sincronia/Rulfofoto.htm>. GoogleScholar 2006.10.24

Sepúlveda, Luz Ma. “Intimidad orgánica”. Luna Córnea. 21-22 (2001): 42-51.

Série "100 photos du siècle": L'Araignée d'amour: broadcast by Arte. Produced by Capa Télévision. 6 minutes and 15 seconds. 1997. Entry from wikipedia.com. Google 2007.02.14.

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Seymour, David and Henri Cartier-Bresson. Chim : David Seymour. Ed. commémorative. Paris: Michel Brient, 1966. WorldCat 2007.01.24.

Seymour, David, Inge Bondi, Catherine Chermayeff, Kathy Mnuchin, et al. Chim: The Photographs of David Seymour. London: Andre Deutsch, 1996. WorldCat 2007.01.24.

Shames, Laurence. “Susan Meiselas.” American Photographer 6 (March 1981): 42—55.

Shaw, Donald. Nueva narrativa hispanoamericana. Madrid: Ediciones Cátedra, 1981.

---.The Post-Boom in Spanish American Fiction. Albany: State University of New York Press, 1998.
Shaw, J. Byam, E. H.  et al. “The Gabinetto Fotografico Nazionale, Rome.” The Burlington Magazine 125.958 (1983): 32. <http://links.jstor.org.ezproxy.library.uvic.ca/sici?sici=0007-6287%28198301%29125%3A958%3C32%3ATGFNR%3E2.0.CO%3B2-6>. JStor 2007.09.17.

Shlaer, Robert. “Daguerrotipos actuales. En la ruta de Solomon Nunes Carvalho”. Luna Córnea. 7 (1997): 113-115.

Shloss, Carol, In Visible Light: Photography and the American Writer (New York, 1987).

Signorini, Roberto, Alle origini del fotográfico, Lettura di ‘The Pencil of Nature’ (18—46) di William Henry Fox Talbot (Bologna, 2007).

Smith, Graham, ‘Light that Dances in the Mind Photographs and Memory in the Writings of E. M Forster and his Contemporaries (Oxford, 2007).

Smith, Shawn Michelle. Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture. Durham and London: Duke University Press, 2004.

Smith, Steven B. The Weather and a Place to Live: Photographs of the Suburban West. Durham and London: Duke University Press, 2005.

Snyder, Don. “Mixing Media.” Photo Communique (Spring 1987): 28-36.

Snyder, Joel. “What Happens by Itself in Photography?” In Pursuits of Reason: Essays in Honor of Stanley Cavel. Eds. Ted Cohen, Paul Guyer, and Hilary Putnam. Lubbock: Texas Tech University Press, 1993. 361-74.

Sobchack, Thomas, Vivian Carol Sobchack, and Yacowar Collection. An Introduction to Film. Boston: LittleBrown, 1980. UVic Catalogue 2006.10.20

Sobchack, Vivian Carol.“American Science Fiction Film: An Overview.” A Companion to Science Fiction. Ed. David Seed. Malden, MA ; Oxford: Blackwell, 2005. UVic Catalogue 2006.10.20

---.“Baseball in the Post-American Cinema, Or Life in the Minor Leagues.” East-West Film Journal 7.1 (1993): 1. ArticleFirst 2006.10.17

---.“Choreography for One, Two, and Three Legs (A Phenomenological Meditation in Movements).” Topoi 24.1 (2005): 55-66. ECO 2006.10.12

---.“Democratic Franchise and the Electronic Frontier.” Futures 27.7 (1995): 725. ArticleFirst 2006.10.17

---.“From Space to Place. Vivian Sobchack Talks to Robert Irwin.” Artforum International XXXII.3 (1993): 70. ArticleFirst 2006.10.17

---.“From Space to Place.” Artforum International 32.3 (1993): 70. EBSCO 2006.10.17

---.“Innocence - Lucile Hadzihalilovic's Mesmerizing Dreamwork.” Film Comment 41.6 (2005): 46. ArticleFirst 2006.10.17

---.“Lounge Time: Postwar Crises and the Chronotype of Film Noir.” Ed. Browne, Nick, and Inc NetLibrary. "Refiguring American Film Genres History and Theory." (1998)

---.“New Age Mutant Ninja Hackers: Reading Mondo 2000.” The South Atlantic Quarterly 92.4 (1993): 569-84. ArticleFirst 2006.10.17

---.“ON (NOT) WATCHING HORROR: Looking Awry at the Descent and Isolation.” Film Comment 42.4 (2006): 38-41. EBSCO 2006.10.17

---.“Postmodern Modes of Ethnicity.” Unspeakable Images : Ethnicity and the American Cinema. Ed. Friedman, Lester D., and Yacowar Collection. Urbana: University of Illinois Press, 1991. UVic Catalogue 2006.10.20

---.“`Presentifying`Film and Media Feminism.” Camera obscura 61 (2006): 65. ArticleFirst 2006.10.17

---.“Remembering Paige Baty, III.” Theory & Event 1.4 (1997) ProjectMuse 2006.10.17 <http://muse.jhu.edu/journals/theoryandevent/ v001/ 1.4sobchack.html>

---. “Seeing with your Eyes.” Discussion between Vivian Sobchak and John Beckmann. In Beckmann, John. The Virtual Dimension : Architecture, Representation, and Crash Culture. 1st ed. New York: Princeton Architectural Press, 1998.

---.“The Active Eye: A Phenomenology of Cinematic Vision.” Quarterly Review of Film Studies 12.3 (1990): 21. ArticleFirst 2006.10.17

---.“The Ghost in the Machine.” Science Fiction Studies 23.2 (1996): 299. EBSCO 2006.10.17

---.“The Insistent Fringe: Moving Images and Historical Consciousness.” History and Theory 36.4 (1997): 4. ArticleFirst 2006.10.17

---.“When the Ear Dreams: Dolby Digital and the Imagination of Sound.” Film Quarterly 58.4 (2005): 2-15. EBSCO 2006.10.17

---.Carnal Thoughts : Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004. UVic Catalogue 2006.10.20

---.Screening Space : The American Science Fiction Film. 2nd, enl ed. New York: Ungar, 1987. UVic Catalogue 2006.10.20

---.The Limits of Infinity : The American Science Fiction Film, 1950-75. Cranbury, N.J: A. S. Barnes, 1980. UVic Catalogue 2006.10.20

---.The Persistence of History : Cinema, Television, and the Modern Event. New York: Routledge, 1996. UVic Catalogue 2006.10.20

Sobieszek, Robert A., ed., The Prehistory of Photography: OriginalAnthology (New York, 1979).

Sokolowski, Juliusz, A.D. Coleman, et al. Festiwal Fotografii Czarno-Bialej : Black & White Photography Festival, Zakopane-Warszawa, 2002 : Powiekszenie - Blow Up ; Fotografie w Czasach Zgielku - Photographs in the Time of Tumult. Warszawa: Palac Kultury i Nauki w Warszawie, 2002. WorldCat 2007.05.13.

Sollers, Philippe, and Roland Barthes. Bataille. Paris: Union générale d'éditions, 1973. WorldCat 2006.10.12.

Sommer, Doris. “Not Just a Personal Story: Women's Testimonios and the Plural Self.” In Life-Lines: Theorizing Women's Autobiography. Eds. Bella Brodzki and Celeste Schenck. Ithaca: Cornell UP, 1988, 107-30.

---. Foundational Fictions: The National Romances of Latin America. Berkeley: University of California Press, 1991.

---. Proceed with Caution When Engaged by Minority Writing in the Americas. Cambridge, MA: Harvard University Press, 1999.

Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux, 1973.

---. Regarding the Pain of Others. New York: Farrar, Strauss and Giroux, 2003.

Sotomayor, Aurea María. “Escribir la Mirada.” In Las tribulaciones de Julia. Ed. Juan Duchesne Winter. San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña, 1992.

Southern Exposures. 22 minutes and 25 seconds. 1969–70. Entry from wikipedia.com. Google 2007.02.12.

Spitz, Ellen Handler, and James Elkins. “Construction Versus Deconstruction in Psychoanalytic Interpretation.” The Art Bulletin 77.2 (1995): 341-3. JSTOR 2006.11.11.

Stam, Robert. “Tropical Detritus: Terra Em Transe, Tropicalia and the Aesthetics of Garbage.” Studies in Latin American Popular Culture 19 (2000): 83-93.

---. Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture. Durham and London: Duke University Press, 1997.

Stange, Maren. Symbols of Ideal Ltk: Social Documentary Photography in America, 1890—1950 (New York, 1992).

Stanitzek, Georg. “Fama/Chain of Muses: Two Classical Problems of Literary Studies with "the Media". South Atlantic Quarterly 101 (2002): 609-623. <http://saq.dukejournals.org/>

Stein, Gertrude. “Rosas”. Luna Córnea. 5 (1994):

Steiner, George, and Walter Benjamin. “The Arcades Project.” TLS, the Times literary supplement.5044 (1999): 3. ArticleFirst 2007.01.16.

Stephanson, Anders. “Interview with Craig Owens.” Social Text 27 (1990): 55-71.

Stephens, Mitchell. History of News. From the Drum to the Satellite. New York: Viking, 1988.

Stiegler, Bernd, ‘I,a surface du monde: note sur Théophile Gautier’, Romantisme, CV (1999/3), pp. 91—5.

---. “Mouches volantes’ et ‘papilons noirs’ Hallucination et imagination littkraire, note sur Hippolyte Tame et Gustave Flaubert”, in Photographic et Romanesque, Etudes romanesques, X, ed. Danikle Méaux (Caen, 2006), pp. 9—48.

Stivers, Robert and A.D. Coleman. Photographs. 1st ed. Santa Fe, N.M: Arena Editions, 1997.

---. Robert Stivers: Photographs. 1st ed. Santa Fe, N.M: Arena Editions, 1997. WorldCat 2007.05.13.

Storr, Robert. “Disparidades y deformaciones”. Luna Córnea. 30 (2005): 160-173.

Stott, William, Documentary Expression in Thirties America (New York, 1973).

Stourdzé, Sam, Helen Gee, A.D. Coleman, Leon Levinstein, et al. Leon Levinstein: Obsession. Paris: Editions Léo Scheer, 2000. WorldCat 2007.05.13.

Strand, Paul. “Carta a Irving Browning”. Luna Córnea. 1 (1992-1993): 69-71.

Strassler, Karen. Refracted Visions: Popular Photography and National Modernity in Java. Durham and London: Duke University Press, 2010.

Streitfeld, David. “Evita: The Body of A Novelist's Work; Tomas Eloy Martinez Fictionalized the Perons' Story. The Facts Are Harder to Believe.” The Washington Post Washington, D.C. 24 Dec. 1996: C.01<http://proquest.umi.com/pqdweb?Did=000000010569050&Fmt=3&Deli=1&Mtd=1&Idx=3&Sid=3&RQT=309>

Suarez, Ananda Cohen. “Art and Architecture of Viceregal Latin America, 1521-1821”. Ethnohistory 56 (2009): 339-340. < http://ethnohistory.dukejournals.org/>

Suárez, Luis, Elena Poniatovska y Juan García Ponce. “El rostro de México”. Luna Córnea. 26 (2003): 218-220.

Subin, Nina y Alberto Ruy Sánchez. “El tiempo dentro del tiempo”. Luna Córnea. 19 (2000): 120-123.

Sugano, Marian Zwerling. “Beyond What Meets the Eye: the Photographic Analogy in Cortazar's Short Stories.” Style 27:3 (Fall 1993): 330-338.

Sugimoto, Hiroshi y Tracy Bashkoff. “La exactitud del mundo”. Luna Córnea. 23 (2002): 40-45.

Summer, Doris. Foundational Fictions. The National Romances of Latin America. Berkeley and Los Angeles: California U P, 1991.

Summers, David, and James Elkins. “Book Reviews - Real Spaces: World Art History and the Rise of Western Modernism.” The Art Bulletin 86.2 (2004): 373. ArticleFirst 2006.10.17.

Suter, Gerardo. “Escenarios rituales”. Luna Córnea. 2 (Primavera 1993):

Suter, Gerardo y Osvaldo Sánchez. “Aztlán, radiografías de un valle”. Luna Córnea. 8 (1995): 82-85.

Szarkowski, John, The Photographer’s Eye (New York, 1966).

---. Mirrors and Windows (New York, 1978).

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