Bibliography - Literature & Photography

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Walden, Sarah, E.H. Gombrich. The Ravished Image: An Introduction to the Art of Picture Restoration & its Risks. Rev. ed. London: Gibson Square, 2003. WorldCat 2007.09.18.

Waldrep, Shelton, The Aesthetics of Self.invention: Oscar Wilde to David Bowie (Minneapolis, MN, 2004).

Walsh, Rodolfo. Obra literaria completa. México, D.F.: Siglo XXI Editores, 1981.

Walton, Kendall L. “Transparent Pictures: On the Nature of Photographic Realism.” Critical Inquiry 11 (1984- 85): 246-77.

Warburg, Aby, E.H Gombrich, et al. Historia De Las Imágenes e Historia De Las Ideas : La Escuela De Aby Warburg. Buenos Aires: Centro Editor de América Latina, 1992. WorldCat 2007.09.18.

Ward, Tony and A.D. Coleman. Obsessions. Zurich ; New York: Edition Stemmle, 1998. WorldCat 2007.05.13.

Warhol, Andy, Heiner Bastian, John Baudrillard, and Jean Coplans. Andy Warhol: Silkscreens from the Sixties. München: Schirmer/Mosel, 1990. WorldCat 2006.12.03.

Warhol, Andy, Jean Baudrillard, Martin Schwander, and Kunstmuseum Luzern. Andy Warhol : Paintings, 1960-1986. Stuttgart: Hatje, 1995. WorldCat 2006.12.03.

Waschek, Matthias, et al. Relire Panofsky : Cycle De Conférences Organisé Au Musée Du Louvre Par Le Service Culturel Du 19 Novembre Au 17 Décembre 2001. Paris: Musée du Louvre, 2008.

Weatherford, Douglas. “Gabriel Figueroa y Juan Rulfo”. Luna Córnea. 32 (2007):

Weaver, Mike, The Photographic Art: Pictorial Traditions in Britain and America (New York, 1986).

Weiner, Justus Reid, E. H. Gombrich, et al. “Letters.” The New York review of books 47.3 (2000): 49.ArticleFirst 2007.09.17.

Weiss, Peter. Marat Sade; Pièce En Deux Actes. Paris:, 1968. WorldCat 2006.12.03.

Weiss, Peter, and Jean Baudrillard. La Persécution Et l'Assassinat De Jean-Paul Marat : Représentés Par Le Groupe Théatral De L'Hospice De Charenton Sous La Direction De Monsieur De Sade : Drame En Deux Actes ; Traduit De l'Allemand Par Jean Baudrillard. Paris: Éditions du Seuil, 1965. WorldCat 2006.12.03.

---. L'Instruction : Oratorio En Onze Chants. Paris: L'Arche, 2000. WorldCat 2006.12.03.

Welch, Holmes. The Buddhist Revival in China. Cambridge: Harvard University Press, 1968. WorldCat 2007.01.24.

Wells, Liz, ed. Photography. A Critical Introduction. Routledge. London, 1997.

---. The Photography Reader. London: Routledge, 2002.

Wesselmann, Tom, et al. “Abstraction Across America, 1934-1946.” ARTnews 95.11 (1996): 119. ArticleFirst 2007.05.14.

Westerbeck, Colin & Joel Meyerowitz, Joel. Bystander: A History of Street Photography. New York: Bulfinch Press, 2001.

Weston, Edward. “La fotografía no pictórica”. Luna Córnea. 1 (1992-1993): 63-67.

---. The Daybooks of Edward Weston. Vol. 1: Mexico. Ed. Nancy Newhall. Millerton, NY: Aperture, 1961.

Wey, Francis, ‘Comment le soleil est devenu peintre, Histoire du daguerreotype et de Ia photographie’, Musée des Familles, XX (1853), pp. 257—65, 289—300.

What Follows ... Victor Burgin. Dir. Burgin, Victor. 1 videocassette. University of Colorado, Academic Media Services, 1987. WorldCat 2007.01.23.

White, Hayden. “Historiography and Historiophoty.” American Historical Review 95.5 (1988): 1193.

---. Tropics of Discourse:  Essays in Cultural Criticism. Baltimore and London: The Johns Hopkins UP, 1985.

Whitfield, StephenJ., ‘The Image: The Lost World of Daniel Boorstin’, Reviews in American History, X1X/2 (June 1991), pp. 302—12.

Wiener, Jon. “Paris Commune Photos at a New York Gallery: An Interview with Linda Nochlin”. Radical History Review 1985: 59-70. <http://rhr.dukejournals.org/>

Williams, Gareth. “The Fantasies of Cultural Exchange in Latin American Subaltern Studies.” In The Real Thing: Testimonial Discourse and Latin America. Ed. Georg M. Gugelberger. Durham and London: Duke University Press, 1996, 225-53.

Williams, Jennette. The Bathers. Durham and London: Duke University Press, 2009.

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Williams, Linda. “A Jury of Their Peers.” Postmodernism and its Discontents: Theories, Practices. ed. Kaplan, E. Ann. London ; New York: Verso, 1988. WorldCat 2006.11.21.

---. “A Provoking Agent : The Pornography and Performance Art of Annie Sprinkle.” Writing on the Body : Female Embodiment and Feminist Theory. Eds. Katie Conboy, Nadia Medina, Sarah Stanbury. New York: Columbia University Press, 1997. WorldCat 2006.11.21.

---. “A Provoking Agent: The Pornography and Performance Art of Annie Sprinkle.” Social Text.37, A Special Section Edited by Anne McClintock Explores the Sex Trade (1993): 117-33. JSTOR 2006.11.21.

---. “A Virus is Only Doing its Job.” Sight & Sound3.5 (1993): 30-2. Academic Search Elite 2006.11.22.

---. “Ab-Normal Beauty.” Sight & Sound15.9 (2005): 48-. Academic Search Elite 2006.11.22.

---. “An Eye for an Eye.” Sight & Sound4.4 (1994): 14-6. Academic Search Elite 2006.11.22.

---. “An Innocent Broad.” Sight & Sound16.8 (2006): 58-9. Academic Search Elite 2006.11.22.

---. “Biographies and Interviews.” Sight & Sound10.8 (2000): 34-. Academic Search Elite 2006.11.22.

---. “Blood Brothers.” Sight & Sound 4.9 (1994): 16-9. Academic Search Elite 2006.11.22.

---. “Blood Sisters.” Sight and Sound 11.6 (June 2001): 36-7. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Body Talk.” Sight & Sound7.11 (1997): 18-21. Academic Search Elite 2006.11.22.

---. “Bonnie and Clyde (Book Review).” Sight & Sound10.11 (2000): 36-. Academic Search Elite 2006.11.22.

---. “British Cinema, Past and Present (Book Review).” Sight & Sound10.11 (2000): 38-. Academic Search Elite 2006.11.22.

---. “Cinema Studies (Book Review).” Sight & Sound10.11 (2000): 40-. Academic Search Elite 2006.11.22.

---. “Critical Warfare and Henry Miller's Tropic of Cancer.” Feminist Criticism: Theory and Practice. Ed. Susan Sellers and Harvester Wheatsheaf.  Toronto: University of Toronto, 1991. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Cupid and Psycho.” Sight & Sound16.5 (2006): 42-7. Academic Search Elite 2006.11.22.

---. “Dark Knights & Holy Fools (Book Review).” Sight & Sound10.11 (2000): 40-. Academic Search Elite 2006.11.22.

---. “Discipline and Distraction: Psycho, Visual Culture, and Postmodern Cinema.”  “Culture” and the Problem of the Disciplines. Ed. John Carlos Rowe. New York: Columbia University Press, 1998. WorldCat 2006.11.21.

---. “Dream Girls and Mechanic Panic: Dystopia and its others in Brazil and Nineteen Eighty-Four.”  Unearthly Strangers: The British Science Fiction Film. Ed. I.Q. Hunter. New York: Routledge, 1999. Also reprinted in the 2004 anthology Liquid Metal: The Science Fiction Film Reader. Ed. Sean Redmond. Columbia University Press/Wallflower Press, 2004. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Erotic Thrillers and Rude Women.” Sight & Sound3.7 (1993): 12-4. Academic Search Elite 2006.11.22.

---. “Escape Artist.” Sight & Sound12.10 (2002): 22-5. Academic Search Elite 2006.11.22.

---. “Everything In Question: Women and Film In Prospect.” Women and Film: A Sight and Sound Reader. Ed. Pam Cook and Philip Dodd Pam Cook and Philip Dodd. Scarlet Press, 1994. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Fantastic Voyages.” Sight & Sound3.1 (1993): 38-. Academic Search Elite 2006.11.22.

---. “Feminist Film Theory: Mildred Pierce and the Second World War. Female Spectactors [Sic] : Looking at Film and Television. Ed. E. Deidre Pribram.  London ; New York: Verso, 1988. WorldCat 2006.11.21.

---. “Fetishism and Hard Core: Marx, Freud, and the ‘Money Shot’.” For Adult Users Only: The Dilemma of Violent Pornography. Eds. Gubar, Susan, and Joan Hoff. Bloomington: Indiana University Press, 1989. WorldCat 2006.11.21.

---. “Film Bodies: Gender, Genre, and Excess.” Film Quarterly 44.4 (1991): 2-13. JSTOR 2006.11.21.

---. “Film Body: An Implantation of Perversions.” Narrative, Apparatus, Ideology : A Film Theory Reader. Ed. Philip Rosen. New York: Columbia University Press, 1986. WorldCat 2006.11.21.

---. “Film Criticism.” Sight & Sound10.8 (2000): 32-. Academic Search Elite 2006.11.22.

---. “Film History.” Sight & Sound10.8 (2000): 34-. Academic Search Elite 2006.11.22.

---. “Film Madness: The Uncanny Return of the Repressed in Polanskl's “the Tenant”.” Cinema Journal 20.2 (1981): 63-73. JSTOR 2006.11.21.

---. “Fiona Banner.” Spellbound: Art and Film. Ed. Philip Dodd with Ian Christie, BFI and Hayward Gallery. London, 1996. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Fire and Desire: Mixed Race Movies in the Silent Era (Review).” American Literature 74.1 (2002): 160-1. ProjectMuse 2006.11.21.

---. “Happy Families? Feminist Transmission and Matrilineal Thought.” New Feminist Discourses. Ed. Isobel Armstrong. New York: Routledge, 1992. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Hard Candy.” Sight & Sound16.7 (2006): 56-. Academic Search Elite 2006.11.22.

---. “Hard Core: Gender, Genre, and Perversion or ‘Diff’rent Strokes For Diff’rent Folks.” 2 sound cassettes (96 mins.). Recorded in Ithaca NY, by Cornell University. WorldCat 2006.11.21.

---. “Identity Orgies.” New Formations  25 (Summer 1995): 123-127. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Introduction.” What She Wants : Women Artists Look at Men. Ed. Naomi Salaman. London; New York: Verso, 1994. WorldCat 2006.11.21.

---. “Less Rape, More Revenge.” Sight & Sound12.4 (2002): 70-. Academic Search Elite 2006.11.22.

---. “Linda Williams Replies.” Cinema Journal 25.2 (1986): 66-7. JSTOR 2006.11.21.

---. “Linda Williams Responds to Stephen Prince's “the Pornographic Image and the Practice of Film Theory.” Cinema Journal 27.3 (1988): 50-3. JSTOR 2006.11.21.

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---. “Media Studies and Reference.” Sight & Sound10.8 (2000): 35-. Academic Search Elite 2006.11.22.

---. “Melodrama in Black and White.” 1 sound cassette. Presentation from a lecture helod on February 4, 1999. University of California, 1999. WorldCat 2006.11.21.

---. “Melodrama in Black and White: Uncle Tom and “the Green Mile”.” Film Quarterly 55.2 (2001): 14-21. JSTOR 2006.11.21.

---. “Melodrama revised.” Refiguring American film genres history and theory. Berkeley : University of California Press, 1998. WorldCat 2006.11.21.

---. “Men in Feminism.” Women: A Cultural Review 1 (July 1990): 63-5. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Mirrors without Memories: Truth, History, and the New Documentary.” Film Quarterly 46.3 (1993): 9-21. JSTOR 2006.11.21.

---. “Mother Courage.” Sight & Sound12.5 (2002): 12-4. Academic Search Elite 2006.11.22.

---. “My Father, the Heroine.” Sight & Sound16.4 (2006): 42-3. Academic Search Elite 2006.11.22.

---. “No Sex Please we'Re American.” Sight & Sound14.1 (2004): 18-20. Academic Search Elite 2006.11.22.

---. “Nothing to Find.” Sight & Sound6.1 (1996): 28-30. Academic Search Elite 2006.11.22.

---. “Painful Pleasures.” Sight & Sound2.4 (1992): 45-. Academic Search Elite 2006.11.22.

---. “‘Personal best’: Women In Love.” Films for Women. Ed. Charlotte Brunsdon. London: British Film Institute, 1986. WorldCat 2006.11.21.

---. “Porn Studies.” Sight & Sound15.12 (2005): 94-. Academic Search Elite 2006.11.22.

---. “Pornographies on/scene, or diff'rent strokes for diff'rent folks.” Sex Exposed : Sexuality and the Pornography Debate. Ed. Lynne Segal and Mary McIntosh. New Brunswick, N.J: Rutgers University Press, 1993. WorldCat 2006.11.21.

---. “Power, Pleasure, and Perversion: Sadomasochistic Film Pornography.” Representations.27 (1989): 37-65.

---. “Race, Melodrama and the Birth of a Nation (1915).” The Silent Cinema Reader. Eds. Grieveson, Lee, and Peter Krämer. London; New York: Routledge, 2004. WorldCat 2006.11.21.

---. “Ready for Action: G.I.Jane, Demi Moore's Body and the Female Combat Movie.” Action and Adventure Cinema. Ed. Yvonne Tasker, London: Routledge, 2004. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Real Women have Curves (Film).” Sight & Sound13.2 (2003): 60-. Academic Search Elite 2006.11.22.

---. “Review of Cinema and Spectatorship.” Film Quarterly 48.2 (1994): 56-7. JSTOR 2006.11.21.

---. “Review of Critique of Commodity Aesthetics: Appearance, Sexuality and Advertising in Capitalist Society.” Design Issues 3.2 (1986): 83-5. JSTOR 2006.11.21.

---. “Review of From Enchantment to Rage: The Story of Surrealist Cinema.” Film Quarterly 34.4 (1981): 41-2. JSTOR 2006.11.21.

---. “Review of Imitation of Life: Douglas Sirk, Director.” Film Quarterly 46.1 (1992): 56. JSTOR 2006.11.21.

---. “Review of Looking on: Images of Femininity in the Visual Arts and Media.” Film Quarterly 43.4 (1990): 56. JSTOR 2006.11.21.

---. “Review of Men, Women and Chain Saws: Gender in the Modern Horror Film.” Film Quarterly 46.2 (1992): 58-60. JSTOR 2006.11.21.

---. “Review of Perspectives on Pornography: Sexuality in Film and Literature.” Film Quarterly 42.4 (1989): 57-8. JSTOR 2006.11.21.

---. “Review of Psychoanalysis and Cinema.” Film Quarterly 45.1 (1991): 55-6. JSTOR 2006.11.21.

---. “Reviews: Porn: Myths for the Twentieth Century. Feminism and Pornography.” Contemporary Sociology 21.4 (1992): 527-8. JSTOR 2006.11.21.

---. “Second Thoughts on Hard Core : American Obscenity Law and the Scapegoating of Deviance.” More Dirty Looks : Gender, Pornography and Power. 2nded. Ed. Pamela Church Gibson. London: British Film Institute, 2004. WorldCat 2006.11.21.

---. “Second Thoughts on Hard Core : American Obscenity Law and the Scapegoating of Deviance.” Dirty Looks : Women, Pornography, Power. London: BFI Pub, 1993. WorldCat 2006.11.21.

---. “Select Bibliography.”  Women and Film: A Sight and Sound Reader. Ed. Pam Cook and Philip Dodd Pam Cook and Philip Dodd. Scarlet Press, 1994. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Sex and Censoriousness: Pornography and Censorship in Britain.” The Media Reader. Ed. Adam Briggs and Paul Cobley, Addison Wesley Longman . Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Sex is Comedy (Film).” Sight & Sound13.8 (2003): 56-8. Academic Search Elite 2006.11.22.

---. “Sick Sisters.” Sight & Sound11.7 (2001): 28-9. Academic Search Elite 2006.11.22.

---. “Sisters Under the Skin: Video and Blockbuster Erotic Thrillers.”Women and Film: A Sight and Sound Reader. Ed. Pam Cook and Philip Dodd Pam Cook and Philip Dodd. Scarlet Press, 1994. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “‘Something Else Besides a Mother’: ‘Stella Dallas’ and the Maternal Melodrama.” Cinema Journal 24.1 (1984): 2-27. JSTOR 2006.11.21.

---. “Songs for Swinging Lovers.” Sight & Sound15.12 (2005): 32-5. Academic Search Elite 2006.11.22.

---. “Straw Dogs: Women can Only Misbehave.” Sight & Sound5.2 (1995): 26-7. Academic Search Elite 2006.11.22.

---. “Submission and reading: Feminine Masochism and Feminist Criticism.” New Formations 7 (Spring 1989):  9-19. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Swing High, Swing Low.” Sight & Sound13.3 (2003): 32-3. Academic Search Elite 2006.11.22.

---. “The Coen Brothers (Book Review).” Sight & Sound10.11 (2000): 40-. Academic Search Elite 2006.11.22.

---. “The Critical Grasp: Buñuelian Cinema and Its Critics.” Dada and Surrealist Film. Ed. Rudolf E. Kuenzli.  New York: Willis, Locker & Owens, 1987. WorldCat 2006.11.21.

---. “The Edge of the Razor' (interview with director Catherine Breillat).” Sight and Sound 9.10 (October 1999): 12-15. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “The Good Old Naughty Days (Film).” Sight & Sound14.4 (2004): 50-1. Academic Search Elite 2006.11.22.

---. “The Inside-Out of Masculinity: David Cronenberg's Visceral Pleasures.” The Body's Perilous Pleasures: Dangerous Desire and Contemporary Culture. Ed. Michele Aaron. Edinburgh University Press. 1999. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “The New Avengers (Book Review).” Sight & Sound10.11 (2000): 38-. Academic Search Elite 2006.11.22.

---. “The New Hollywood from Bonnie and Clyde to Star Wars.” Sight & Sound16.2 (2006): 94-. Academic Search Elite 2006.11.22.

---. “The Oldest Swinger in Town.” Sight & Sound10.8 (2000): 24-7. Academic Search Elite 2006.11.22.

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---. “The Pornographer (Motion Picture).” Sight & Sound12.4 (2002): 55-6. Academic Search Elite 2006.11.22.

---. “The Pornographic Subject: Feminism and Censorship in the 1990s.” Political Gender. Ed. Sally Ledger, Josephine McDonagh and Jane Spencer, Harvester Wheatsheaf. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “The Trial of D.H.Lawrence.” Critical Survey (July 1992): 154-161. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Twin Peaks: David Lynch and the serial-thriller soap.”The Contemporary Television Series. Ed. Michael Hammond and Lucy Mazdon. Edinburgh: Edinburgh University Press, 2005. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “Type and Stereotype: Chicano Images in Film.” Frontiers: A Journal of Women Studies 5.2, Chicanas en el Ambiente Nacional/Chicanas in the National Landscape (1980): 14-7. JSTOR 2006.11.21.

---. “Type and stereotype: Chicano images in film.” Latin Looks : Images of Latinas and Latinos in the U.S. Media. Ed. Clara E Rodriguez. Boulder, Colo: Westview Press, 1997. WorldCat 2006.11.21.

---. “Unruly Pleasures (Book Review).” Sight & Sound10.11 (2000): 38-. Academic Search Elite 2006.11.22.

---. “‘We've Been Forgetting that We're Flesh and Blood, Mother’: Glad Ghosts and Uncanny Bodies.” D.H.Lawrence Review 27.22-3 (1997/8): 233-253. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. “What does Mae West have that all the Men Want?” Frontiers: A Journal of Women Studies 1.1 (1975): 118-21. JSTOR 2006.11.21.

---. “‘White Slavery’” Versus the Ethnography of ‘Sexworkers’: Women in Stag Films at the Kinsey Archive.” The Moving Image 5.2 (2005): 107-34. ProjectMuse 2006.11.21.

---. “Why I Did Not Want to Write This Essay.” Signs 30.1, Beyond the Gaze: Recent Approaches to Film Feminisms (2004): 1264-72. JSTOR 2006.11.21.

---. American Literature 74.1 (2002): 160-1. JSTOR 2006.11.21.

---. Critical Desire: Psychoanalysis and the Literary Subject, Edward Arnold, 1995. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. D.H.Lawrence, 'Writers and their Work' series, Northcote House/The British Council, 1997. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. Figures of Desire: A Theory and Analysis of Surrealist Film. Urbana: University of Illinois Press, 1981. WorldCat 2006.11.21.

---. Hard Core: Power, Pleasure and the “Frenzy of the Visible.” Berkeley: University of California Press, 1999.

---. Porn Studies. Durham: Duke University Press, 2004. UVic Main Catalogue 200.11.21.

---. Sex in the Head: Visions of Femininity and Film in D.H.Lawrence. Harvester Wheatsheaf, pp. 170. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

---. Slick Press. Journal (1976-1981). WorldCat 2006.11.21.

---. The Erotic Thriller in Contemporary Cinema. Edinburgh: Edinburgh University Press, 2005. UVic Main Catalogue 200.11.21.

---. Viewing Positions : Ways of Seeing Film. New Brunswick, N.J: Rutgers University Press, 1995. UVic Main Catalogue 200.11.21.

Williams, Linda, and Michael Hammond, eds. Contemporary American Cinema. 2006. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

Williams, Linda, and B. Ruby Rich. “The Right of Re-Vision: Michelle Citron's “Daughter Rite”.” Film Quarterly 35.1 (1981): 17-22. JSTOR 2006.11.21.

Williams, Linda, and Christine Gledhill. Reinventing Film Studies. London; New York: Arnold; Co-published in the United States of America by Oxford University Press, 2000. UVic Main Catalogue 200.11.21.

Williams, Linda, ed. and introduction. Women in Love. D.H. Lawrence. Everyman Paperbacks, 1993. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

Williams, Linda, ed. The Body and the Text: Hélène Cixous, Reading and Teaching. Harvester Wheatsheaf, 1990. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

Williams, Linda, ed. The Twentieth Century: From 1900 to the Present Day (Bloomsbury Guides to Literature). Bloomsbury Press, 1992. Entry from Wikipedia.com. GoogleScholar 2006.11.20.

Williams, Raymond. L. The Postmodern Novel in Latin America: Politics, Culture, and the Crisis of Truth. Basingstoke: Macmillan, 1995.

Williams, Tennesse. “La noche de la iguana”. Luna Córnea. 15 (may-ago 1998): 124-125.

Willsberger, Johann, Helmut Gernsheim and J. C. Terweijden. Oude Camera's. Bussum; Antwerpen: Moussault; Standaard, 1982. WorldCat 2007.09.02.

Wilsher, Ann, ‘Photography in Literature: The First Seventy Years’, History of Photography, 11/3 (july 1978), pp. 223—54.

---. “The Tauchnitz ‘Marble Faun’”, History of Photography, iv/1 (January 1980), pp. 61—6.

Wilson, Pamela y Michelle Stewart. Global Indigenous Media: Cultures, Poetics, and Politics. Durham and London: Duke University Press, 2008.

Winkelvoss, Karine, and Didi-Huberman, Georges. "Rilke, La Pensée Des Yeux." Publications de l'Institut d'allemand d'Asnières, no.35, 360 pp. (2004).

Winkelvoss, Karine, et al. Rilke, La Pensée Des Yeux. Asnières: PIA, 2004.

Winks, Christopher. “A Great Bridge that Cannot Be Seen: Caribbean Literature as Comparative Literature”. Comparative Literature 61 (2009): 244-255. <http://complit.dukejournals.org/>

Witkin, Joel-Peter. “Retrato hablado”. Luna Córnea. 7 (1997): 75-81.

Wolf, Sylvia. “Dieter Appelt”. Luna Córnea. 10 (sep-dic1996): 102-107.

Wolfreys, Julian. Literary Theories : A Reader and Guide. New York: New York University Press, 1999. WorldCat 2006.12.03.

Wolin, Joseph R. “Realidad virtual: retratos de América”. Luna Córnea. 3 (1993): 85-93.

Wood, Andrew G. “Mexico's Cinema: A Century of Film and Filmmakers”. Hispanic Hispanic American Historical Review 81 (2001): 395-396. <http://hahr.dukejournals.org/>

Wood, Catherine. “Amorales vs. Los Infernales”. Luna Córnea. 27 (2004):

Wood, Christopher S., and E. H. Gombrich. “BOOKS & THE ARTS - the Unmodern Modern - the Preference for the Primitive: Episodes in the History of Western Taste and Art.” The new republic (2003): 31. ArticleFirst 2007.09.17.

Woodfield, Richard. Gombrich on Art and Psychology. New York: St. Martin's Press, 1996. UVic Main Catalogue 2007.11.14.

Woodward, Kathleen M. The Myths of Information: Technology and Postindustrial Culture. Madison, WI: Coda Press, 1980. WorldCat 2006.12.03.

Woolf, Virginia, “Julia Margaret Cameron”. Luna Córnea. 3 (1993): 8-20.

Wright, Anthony. “Los de afuera”. Luna Córnea. 13 (sep-dic 1997): 48-53.

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